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THE BRVTALIST

Mutant Metropolitan Culture

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Hopper + Space Q&A

One of the main tenets of The Brvtalist is to connect the dots between different eras, disciplines and mediums. Architecture, furniture and interior design are so interconnected but striking the right balance is incredibly difficult. That's why the discovery of London-based design studio Hopper + Space was a true gift. The duo of Ben + Joe create interiors that are progressive and forward-thinking, while referencing some of the best time periods of interior and furniture design of the past. The studio has also released a new range of original furniture that successfully fuses their knowledge of style and design with the latest technology, making the pieces feel very fresh. The Brvtalist reached out to the duo to find out more about their background, approach and original line of furniture and they graciously provided us with some great responses. Please find the Q&A below. 

Techno Chair for L'oreal designed by Philippe Starck. Available for purchase through Hopper + Space. 

Techno Chair for L'oreal designed by Philippe Starck. Available for purchase through Hopper + Space. 

The Brvtalist: I would love to get a brief background on you both. What were you both doing before H+S? I know you design home interiors, restaurants and now even furniture. Has Hopper + Space always existed in this form or have your practice areas expanded over time?

H+S: Before Hopper + Space existed Joe worked for a wildlife rehabilitation charity and Ben worked in recruitment. We've both always loved design, interiors and art from an early age. As children we both loved raking about in Jumble sales and Charity Shops looking for the interesting, the old and the unusual. From the start of Hopper + Space midcentury furniture pieces have been our main area of work. We've spent years finding, researching, restoring and selling the less common designs from small British cabinet makers alongside pieces from the more popular brands such as G Plan or McIntosh. We've spent a number of years sourcing and reupholstering 20th century sofas, armchairs and daybeds. From the start we knew they had to be vibrant and eye catching. With our reupholstered pieces we like to give them a one off feel. One of our favourite pieces was a 1950's Ercol Studio Couch which we reupholstered in fabric designed by Christian Lacroix. Being so interested in design and interiors progressed into an interest in launching our own range of furniture. Our Original Range is in a midcentury style but updated for the modern home. 

From time to time we would get asked to source pieces for restaurants, cafes, offices and meeting rooms. This led to us being asked by several companies to redesign areas of their premises and even a college to redesign their whole canteen and design studios with a vintage industrial feel! It's fantastic to see pieces you've restored alongside pieces you've designed come to life in a public space.

We've always had an interest in latecentury design and have recently been exploring furniture and interiors from the 1980's and 1990's. There are some great pieces out there and tons of unexplored design history.

TB: I love the dots you connect in all aspects of your work. Linking the connecting points between different periods of design is no easy task. We know b/c we try to do something similar on our site! Talk about how you find the connections between art deco, mid century, post modern/Memphis, etc. and create something that is still of the moment or even the future. 

H+S: Good design transcends time. We think the key is to mix it up and keep it fresh! For example a faithful reproduction of a 1940's living room is cool but we wouldn't want to live with the heavy style 24/7. Mixing up antiques and pieces from all decades with contemporary pieces is definitely the way to go if you want to connect the dots in your own home. 

TB: I've been so into the Memphis School for a while and love pretty much all of the pieces you have on your online shop. How do you approach looking for items for your projects or to sell? Do you base it purely on design, rarity, build quality or something else? 

H+S: Since seeing houses in films as children we've both been fascinated by the Memphis designs and post modern pieces. 

The beautifully vulgar excess of Bette Midler's house stuffed full with Memphis Milano replicas in the film Ruthless People and the creepy post modern meets gothic vibe of the house in Beetlejuice both really stuck in our minds. We're really excited to be exploring the 80's/90's designs of the Memphis Group members, Ron Arad, Niels Gammelgaard, Philippe Starck and many others at the moment. We've been collecting Memphis and latecentury pieces ourselves as well as offering them for sale on our site and find there are some stunning designs out there. When sourcing pieces we go for designs that we like. Something that catches our eye and has got it. It could be a Memphis Milano lamp or a piece by an unknown designer but if we like the style and it catches our eye the chances are we'll go for it.

Beetlejuice (1988)

TB: What inspired the new range of furniture? We love the Bloc sofa and how it takes some ques from the Soviet Era. Talk about the process of creating this first piece.

H+S: Thanks, so glad you like it and want to feature it in your site. Our Original Range of furniture is inspired by 20th century design. We wanted to take the midcentury aesthetic and offer a range of furniture that has its wonderful style yet looks fresh in a modern space. Our BLOC range is inspired by Eastern Bloc modernism. We were looking at the Brutalist architecture of the Soviet era and kept noticing the furniture. A sort of boxy, slightly chunky version of midcentury furniture design. The more we looked into it the more we fell for its style. It was important for us to work with the very best upholsterer we could and offer quality furniture pieces that are built to last.

TB: What are some projects your currently working on that you're excited about and/or whats next for H+S? 

H+S: We have more of our Original Range designs ready to go into production. As for our 20th Century pieces we've been sourcing some fabulous pieces designed by Philippe Starck, more 80's Ikea and early 1990's furniture from London based designers.

The Brvtalist would like to thank Ben and Joe for taking the time to answer some of our questions. It's always a thrill speaking with others who shares the same mindset (and aesthetic) as myself. Please visit Hopper + Space for more information. Also, be sure to connect with them on Facebook, Instagram and Twitter. 

-JRS

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From left to right: 1. Hopper + Space Bloc sofa. 2. ACHILLE CASTIGLIONI FOR ZANOTTA PLANT STAND - Available through Hopper + Space. 3. Late century interior inspirations. 

Monday 08.17.15
Posted by Jeremy Schwartz
 

No History No Future - Jean-Louis Huhta

Now listening at Brvtalist HQ: the latest release by Stockholm's Jean-Louis Huhta. A true legend in the Swedish underground music community, Huhta began his career playing in the punk band Cortex and then as a percussionist for one of our favorite hardcore bands, Anticimex. Today you can find him devastating dance floors as Dungeon Acid or playing with post-metal outfit The Skull Defekts. 

We have long been a fan of Huhta's output and originally connected with him on New Brvtalism No. 011.  For us, that mix cemented his incredible breadth of knowledge and also his affinity for  experimental and noise elements. Enter - No History No Future. Recorded live in Stockholm direct to disc between 2006-2008, this is experimental music at its finest. Modular, ambient, electro-acoustic and everything in between, No History No Future is an intense journey through the mind of a true creator. Tracks like "Prime Time" and "Blackened" are excellent examples of Huhta's ability to push you deeper and deeper in to the depths of dark space - where there are no boundaries and no limitations. We are honored to have the chance to present such incredible material to our readers and we urge you to turn off your mind and turn on your headphones. 

Fans in the Los Angeles area can catch Huhta twice this coming week. First, on Friday, August 14th for Feels Music Official Berzerktown Afterparty featuring Dungeon Acid, Henning Baer and a secret guest from the techno capital of Detroit.  Then, on Sunday, August 16th, he will be performing with The Skull Defekts at Berzerktown II. Both events are not to be missed. 

-JRS 

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Wednesday 08.12.15
Posted by Jeremy Schwartz
 

Oil Thief - "Undesire"

The Brvtalist is proud to premiere the latest release from Los Angeles-based experimental artist Oil Thief. Building off the success of his previous effort, Obsolescence and Monality, Undesire is a two track cassette that takes the listener deeper into the depths of ambient, noise, industrial, techno and more. Dark, crushing vocals and brvtal, melancholy electronics make for an incredible sonic hybrid that will find a home with fans of everything from techno to death industrial.

The first release on the newly formed cassette label, Centennial Apt., Undesire will be distributed through Chondritic Sound and is also available via digital download. Fans in Europe will also be able to pick up the cassette at the much anticipated Hive Mind & Oil Thief European tour this fall. The Brvtalist will be sure to bring you more information on that when available. For now, enjoy these great compositions of sinister experimental electronics. 

-JRS

Mastered by Cory Hanson 2015 
Layout by Greh Holger 
Written, recorded and produced by Oil Thief 2015 
Oil Thief is Lee Landey


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Monday 08.10.15
Posted by Jeremy Schwartz
 

New Brvtalism No. 025

Drifting in a cloud of pure euphoria, you completely let go. In a dream state that is between two worlds, you finally feel at ease.

The Brvtalist is proud to present a new mix by Los Angeles-based Drab Majesty. Perhaps our favorite live and recorded act of the moment, we wanted to make the Silver Edition of our series something special. His full-length album, "Careless", is currently out on Dais Records (first pressing sold out!) and will soon be taking off on a full length tour with Seattle's King Dude. The Brvtalist was lucky enough to attend his record release show in Los Angeles and we were quickly transported to a another world - entranced by Drab's mix of dream pop, synth, wave and incredible performance art. Below, please find the dates for his current tour and we urge you not to miss a show. For more information, please visit Facebook and Soundcloud. 

-JRS

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TOUR DATES
09.09 San Francisco, CA - Elbo Room
09.20 Los Angeles, CA - Echoplex/LA Psych Fest
09.21 Los Angeles, CA - Teragram Ballroom w/ Psychic TV
10.02 Los Angeles, CA - Echo #
10.09 San Diego, CA - Whistle stop ^
10.10 Phoenix, AZ - Apt 512 ^
10.11 Santa Fe, NM - Radical Abacus ^
10.12 Austin, TX - Cheer up Charlie's ^
10.13 Dallas, TX - Crown and Harp ^
10.16 - Philadelphia, PA - Milkboy #
10.17 Boston, MA - Great Scott #
10.19 Brooklyn, NY - St. Vitus #
10.20 Montreal, QC - Turbo Haus #
10.21 Toronto, ON - Hard Luck Bar #
10.22 Columbus, OH - Ace of Cups #
10.23 Chicago, IL - Beat Kitchen  #
10.24 Minneapolis, MN - 7th St. Entry #
10.25 Lincoln, NE - Vega #
10.26 Denver, CO - Larimer Lounge #
10.28 Salt Lake City, UT - Urban Lounge #
10.30 Boise, ID - The Shredder #
10.31 Portand, OR - Mississippi Studios #
11.1 Seattle, WA - Chop Suey #
 ^ w/ Them Are Us Too
# w/ King Dude


TRACK LISTING
Haus Arafna - Pain To Love 
Sort Sol - Marble Station
Red Lorry Yellow Lorry - Generation
Creepers - Unknown
King Dude - Rosemary
Black Mare - Elk Sedge
Death In June - The Giddy Edge of Light
Martial Canterel - Lips Not Listening
High-Functioning Flesh - Grotesque Light
Geneva Jacuzzi - Dark Streets
Oppenheimer Analysis - Modern Wonder
The Twins - I'm Staying Alive
Drab Majesty - The Heiress

 














Friday 08.07.15
Posted by Jeremy Schwartz
Comments: 1
 

An Introduction to Italian Death Industrial by Per Najbjerg Odderskov

The Brvtalist is proud to present an essay and mixtape on the the history and aesthetics of Italian Death Industrial. Written and composed by Denmark's Per Najbjerg Odderskov, this is an incredible introduction to an often overlooked sub-genre. We were familiar with Per's excellent project Lidane Livering, and when we discovered his side project, Destruktionsanstalt, we were inspired to learn more about the Italian Death Industrial sound. Per graciously provided us with text and music. Read and listen more below: 

The Aesthetics of Italian Death Industrial

by Per Najbjerg Odderskov

Industrial is a genre which nearly everyone has talked about at one time or another. However, Death-industrial still lies dormant, but is a vibrant, obscure subgenre with a strong cult following. Nearly every fan and sicko who´s into death-industrial knows that if it is made-in-Italy, its good quality is almost certain. If you take a peek on discogs and notice the price of early Atrax Morgue tapes, or if you look around on Facebook in every forum/group dedicated to boring harsh noise and lame power electronics, you´ll always be sure to find people worshiping the Italian sound (almost!). There is no question, the sound of Italian death-industrial is as immortal as a classic horror flick by Argento or Fulci. Like it or not, the genre manages to keep showing its ugly face. Let´s discuss what this is all about: 

Death-industrial as a genre, was born out of the mind of a Swedish guy named Roger Karmanic in 1985. His first releases as Lille Roger, are more or less considered to be the first death-industrial releases ever (do get the Golden Shower collection!). Later on he would turn the project into Brighter Death Now in 1989, and the sound of death-industrial was spread out into our world.

Marco Corbelli was getting into Brighter Death Now in 1993 and was inspired. He was also into the works of Maurizio Bianchi (MB) and Mauthausen Orchestra (borh early Italian experimental industrial/Power-Electronics acts). He would then go on (as a rather isolated teenager), to create the solid masterpiece titled "In Search Of Death" - a very naaive, simplistic, efficient and atmospheric piece of dark electronics. He called this project Atrax Morgue. Atrax (a very poisenious and highly aggressive funnelweb spider from Australian) and then just Morgue. He then laid the first foundations for his label, Slaughter Productions, which still stands out to be one of coolest cult labels in the genre today. Sadly, it was unable to continue after Marco Corbelli commited suicide but the sound and atmosphere still haunts us.

So how does one explain how the sound of Italian death-industrial, and how does it differ from the sound of Swedish acts like Brighter Death Now and Megaptera, or U.S Gruntsplatter and Steel Hook Prosthesis? The Italian sound is always incredibly minimalistic, dirty, hypnotic and highly atmospheric at the same time. Never having multilayered samples piled untop of each other like a big cake, or having that glossy hightech sound. You almost have that vintage synth sound from kraut-rock and early progressive rock bands (think early Tangerine Dream, Cluster and Goblin), which is then combined with elements of soundtrack-ish ambience and minimal elements of harsh industrial-noise. That is all well documented on Slaughter Production's EXCELLENT and ESSENTIAL compilation, Death Odours 1.  Further, what type of imagery is used in the aesthetics of the genre? Well, anything rotten, death-ish, sexually disturbed, pedophile, suicide, necrophilia, sadism, torture, bondage, serial killer fetish, hospitals, morgues, ancient funeral rites, occultism, danse macabre, Italian horror movies and/or churchyards (skulls, skulls and skulls). That goes for the cover-art as well as the themes working within the genre. So, if Black Doom Death metal doesn't give you that extra edge, give this a try! 

What is the foundation of Italian death-industrial? What bands are essential to the genre? Well, Brighter Death Now is of course the beginning of it all but I will now name 2 of the most essentiel bands to have inspired this sound.

Italy has Mauruzio Bianchi, which have grinded microscopic and depressive industrial harshness since 1980! His work has been on such notorious cult labels like Come Organisation, Broken Flag and Sterile Records. A good beginners album, with him in his early years, would be his grand masterpiece of misery, "Symphony For A Genocide". This classic has luckily been reissued many times, so it should be easy to get. An extra piece of info about this album - even Genesis P. Orridge found this album too despressive that s/he called it uterly pointless!! Anyways, Maurzio Bianchi is very dark and challenging, but yet still soothing with an incredible depth to it. His work is an absolute must. Beside such acts like Esplendor Geometrico, he is surely one of the grand pioneers and godfathers of industrial and noise. 

Another Italian act of note is Mauthausen Orchestra, who released their first material in 1982. In a sense, they/he were there before the brutality of Grey Wolves, Con-Dom and Genocide Organ. Some artists and critics even claimed back then, that Italian Power Electronics was alot more brutal and sadistic than even U.K noisebaters Whitehouse! Mauthausen Orchestra was one of the first Italian acts to implement the power-electronics style. Urashima have luckily reissued the classic works of this project on LP.

I have always been in love with death-industrial (Both the Swedish and the Italian), and therefore started my own death-industrial project, Destruktionsanstalt, back in 2002. I made one album, which was supposed to be released on Legion Sudan. Sadly, this never happened as the label  closed down. Now 12 years later, I've decided to resurrect this project of morbidness. Many thanks to Sébastien Biquet Bach, who got this project onto his own French label Requiem Rate of Return. The idea will be to release a new Destruktionsanstalt album and the older, still un-released debut album. The older album contains a more harsh and primitive sound like early Lille Roger and Brighter Death Now. The new album has a clean focus on Italian death-Industrial while having a psychedelic touch. I hope people (with a weird morbid taste) will enjoy it as much as I did creating it!

For more information, please visit Soundcloud, Facebook and Requiem Rate of Return. 

Mixtape Tracklist: 

1 - MB - Treblinka - 09:10
2 - Mauthaursen Orchestra - Necrofallatio - 09:11 to 12:12
3 - Atrax Morgue - Vaginal Spectrum - 12-13 to 16:10
4 - Progretto Morte - Dissekt Mind - 16:13 to 20:19
5 - T.S C. Manson - Un Fraterno Messaggio 20:20 to 31.20 
6 - Nigredo - Aurora Niger - 31:21 to 39:17
7 - RRR - Ed Killer - 39:21 to 47:05

 

Wednesday 08.05.15
Posted by Jeremy Schwartz
Comments: 1
 

Acid Fountain - "Forest-music"

The Brvtalist is proud to premiere the new video from France's Acid Fountain. One of our favorite projects on Paris' amazing Hylé Tapes, we were thrilled to hear that "Forest-music" got a proper video. What we saw blew us away as the imagery perfectly compliments the track and encapsulates our idea of what Acid Fountain is about. This is excellent experimental electronics with a very quiet rhythmic quality that slowly draws you in deeper and deeper. 

This beautiful piece of visual art is created by Sybil Montet. Ms. Montet is a director and video-artist. She is currently working on her first documentary about the Swedish Noise scene, and will soon release a clip for June & Antoni Maiovvi. The Brvtalist has been extremely impressed with all of the work we have seen so far and could not be more excited about her upcoming documentary. 

Without further introduction, below please find the new video for Acid Fountain's "Forest-music".  

"Forest-music" from the album "Fauna Diction" released on Hylé Tapes: https://hyletapes.bandcamp.com/album/fauna-diction Video by Sybil Montet: http://sybilmontet.com/ http://sybilmontet.tumblr.com/ Music by Acid Fountain: https://www.facebook.com/pages/Acid-Fountain/562155070473091 https://soundcloud.com/acidfountain All rights reserved.

For more Acid Fountain, please visit Bandcamp. 

-JRS

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Tuesday 08.04.15
Posted by Jeremy Schwartz
Comments: 3
 

Iris Van Herpen: Transforming Fashion

This Fall, the High Museum of Art in Atlanta will become the first U.S. museum to present a major exhibition of work by visionary Dutch fashion designer Iris van Herpen. A truly unique artist, Van Herpen is known for her combination of fine craftsmanship and futuristic techniques. Her work is among the first, and still most impressive examples, of 3-D printed fashion in the world. She is inspired by the arts, sciences, music and philosophy and her designs contain layers of these disciplines. She has long been a favorite of The Brvtalist as we always admire people who successfully fuse artistry with technology. Expect to see silhouettes, details and geometry that will completely alter your view on what fashion can be. From the museum: 

Van Herpen has garnered international acclaim for her couture designs, which interweave traditional handwork with groundbreaking 3D-printing technology, computer modeling, and engraving constructed in collaboration with architects, engineers and digital design specialists. Her visually impressive, sculptural designs – often featuring unusual materials such as magnets, umbrella ribs and synthetic boat rigging – create silhouettes that appear both organic and futuristic. Her work has been worn by style icons such as Lady Gaga, Beyoncé and Bjork and has graced the runways of Amsterdam, London and Paris. The exhibition will feature 45 outfits carefully selected from 15 of van Herpen's collections designed from 2008 through 2015, offering a comprehensive visual survey of her design career.

This is a must see exhibition for fans of fashion, art and technology. It is co-organized with the Groninger Museum (Netherlands) and will debut at the High before continuing on a North American tour. For more information please visit the High Museum. 

-JRS

crystallization, july 2010
photo by bart oomes, no 6 studios © iris van herpen

mummification, january 2009
photo by bart oomes, no 6 studios © iris van herpen

capriole, july 2011
photo by bart oomes, no 6 studios © iris van herpen


Monday 08.03.15
Posted by Jeremy Schwartz
 

New Brvtalism No. 024 - Yeti Popstar

The sky begins to change and smoke rises. Your image looks familiar but you don't feel the same. In a matter of moments you become a stranger to yourself.

The Brvtalist is proud to present a new mix by Yeti Poster. David H. Sekulla is a Brussels-based German producer who is behind projects such as Ascii Witchcraft, Abstract Fields, Transient Reflections and Velvet Underwear. He is also known for collaborations with artists like Victoria Lukas (Zerkalo), Shazzula (Aqua Nebula Oscillator) and Hanin Elias (Atari Teenage Riot / Fantome). He also served as the artistic director of Brussels cult venue DNA and occasionally DJs. 

We were first introduced to David's work through our friend Beta Evers. We heard Ascii Witchcraft's "Effective Frequencies" (out on Lynch Law Records) and had to find out more. That lead us to discovering these other great projects that all have David's signature quality of dark, seductive sounds that incorporate dark wave, noise and dance. We are very excited about his contribution to the series which reminds us of an ominous ritual taking place. For more music and information please visit Soundcloud and Facebook. 

-JRS 

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Ascii Witchcraft - Voices ( Lynch Law Records )
Dawamesk - Autumnal Mutation ( H.A.K. )
Shazzula & Yeti Popstar - Noitavalas ( ▲WI╪CHBØØK▲ )
Abstract Fields - Liberation Works ( Unreleased )
Ultraphallus – The Red Print ( Riot Season )
Khan feat. Diamanda Galás - Aman ( Playhouse )
Hanin Elias - Sirens ( D.H.R )
Manasyt & Beta Evers - Devotion ( Bunker Records )
Daily Fauli - Speed ( Gry Records ) 
Andreas Ammer & FM Einheit – Canto XXXI ( EGO )
Zerkalo - Experiment zero ( Frustrated Funk )
Jean Delouvroy - Norden ( Self-Released )
Ascii Witchcraft - In The Silence ( Lynch Law Records )
Velvet Underwear - Noise Reflexion n°69 ( Roulette Rekordz )

 

Friday 07.31.15
Posted by Jeremy Schwartz
 

Lucio Fontana at Tornabuoni Art London

Tornabuoni Art is an art gallery specializing in Italian art from the second half of the 20th century.  This year, the gallery has added a new space in London, which is a perfect compliment to the gallery's already impressive list of exhibition spaces in Florence, Milan, Paris and more. The Casamonti family opened the gallery in 1981 and owns the world's largest collection of Lucio Fontana works. When we saw that the gallery would open the London space with an all Fontana show, it immediately piqued our interest. 

LUCIO FONTANA - Concetto spaziale, 1957 (Courtesy Tornabuoni Art, London)

Lucio Fontana was an Italian artist primarily known as being the founder of "Spatialism". In 1946 he published the "Manifesto blanco" in Argentina which essentially outlined the main ideas of this new movement. Fontana sought to synthesize sound, space, color, movement and time to create a new form of art. Embracing new science and technology were also major tenets of Spatialism. Fontana would go on to inspire countless other artists and Spatialism would become an important art movement of the later half of the 20th century.  

The Brvtalist has always been fond of Fontana's works, particularly his "Slash" series in which he made deep cuts in monochrome paintings creating new fields of depth and space. We always support artists who embrace new developments in the world and Fontana frequently worked with neon lighting, television and more. The new Tornabuoni London space looks to be a great location for the gallery and we couldn't think of a better way to kick things off. For more information please visit http://www.tornabuoniarte.it

-JRS

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Clockwise from left: 

LUCIO FONTANA

Concetto spaziale, Attese, 1964

Courtesy Tornabuoni Art, London

LUCIO FONTANA

Concetto spaziale, 1962

Courtesy Tornabuoni Art, London

LUCIO FONTANA

Concetto spaziale, attese, 1959

Courtesy Tornabuoni Art, London

LUCIO FONTANA

Concetto spaziale, 1953

Courtesy Tornabuoni Art, London

 

Wednesday 07.29.15
Posted by Jeremy Schwartz
 

The Barbican: Architecture and Light

Oblique Publishing and photographer Alan Ainsworth present a new book focusing on one of Britain's finest examples of post-war architecture.  The Barbican is Europe’s largest multi-arts and conference venue and one of London’s best examples of Brutalist architecture. It was developed from designs by architects Chamberlin, Powell and Bon as part of a utopian vision to transform an area of London left devastated by bombing during the Second World War. As a whole, The Barbican has both a residential component while also housing some of London's most prestigious cultural arts institutions. 

Chamberlin, Powell & Bon, worked with an instinctive sense of place. The importance they attached to light in pursuit of this goal was an important element of their designs for modern urban life.  In this new book, Alan Ainsworth explores for the first time how the architects’ concern for light created extraordinary visual effects which helps create a genuine sense of place. These are captured by his striking black and white photography in an unusual and refreshing view of one of the great architectural achievements of post-war Britain. 

The Brvtalist could not be more thrilled about a book of this kind. The idea goes beyond architecture, but looks at even more layers of brutalism and its tenets. Chamberlin, Powell & Bon were heavily influenced by Le Corbusier and The Barbican is a modern architectural marvel. Ainsworth's photographs give the structure a fresh new meaning and provide a whole new perspective on one of Britain greatest achievements. The book also contains an impressive number of contributors including Brvtalist featured and C20 Society director Catherine Croft. Available in print and digital format through Amazon and directly from Oblique. 

-JRS 

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Monday 07.27.15
Posted by Jeremy Schwartz
 
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