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THE BRVTALIST

Mutant Metropolitan Culture

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Figure Section - Spectre *Official Video*

While their long awaited LP album is due to release next winter on Aufnahme + Wiedergabe, the Belgian EBM-Wave duo Figure Section has just published a new music video for their now classic track Spectre.

About a year ago, Brussels-based band Figure Section received an envelope containing only a USB flash drive and no explanation.  On the flash drive, was a music video featuring their track “Spectre”. “It was pretty intriguing” - Olive recalls - “But about a few weeks later, we eventually received an email from a person called Camille, who revealed herself as the author of the video. Then we started to communicate with her on a regular basis, trying to figure out what it was all about. Only then we started hearing about the insane story she went through.”

“Although we cannot condone any of the awful actions depicted below, we figured we would make Camille’s incredible music video an official thing. It’s not every day you come across such a story”, Yannick said.

Camille explains:

“I heard from a friend about a gang named the “midnight hunters”, which reputedly consisted of a bunch of upper class young adults. They hang out at night in deserted areas of the city, displaying ultraviolent behaviour. Trespassing, setting cars on fire or assaulting people. Their favorite pastime is what they call “the cleanse”, which consists in reaching beat down areas of the city at night in their fancy sport cars, targeting isolated, often homeless elderly people and beating them up with golf clubs and hockey sticks. 

When I heard about these things, half horrified, half intrigued, I first thought it was some kind of an urban legend, but my friend, “V” told me he knew people who could testify they were for real. The most difficult part of the project was to establish contact since their identity is still unknown by the authorities and they managed to act discreetly so far, mostly targeting outcasts, migrants, people whose lives don’t seem to matter to the public opinion or the establishment. But I did all I could to arrange and meet them, it took me a few weeks and a lot of research, but I eventually came across someone who knew their leader, “J” personally and I eventually got to meet him. He struck me as a calm and considerate gentleman and I couldn’t believe the Hunters were as violent as I was told they were. So when he told me that they were gathering the same night and that if I wanted to film them I had to be at midnight on a certain parking lot in the Anderlecht area, I didn’t react as carefully as I should have.

As I arrived, they were all wearing pale sport polos, which seems to be some kind of uniform for them, and I noticed J had small tattoos - such a noticeable feature actually because none of the others had any. 

As most of them belong to politically influential families (among which an important industrial company and a well known law firm), their main condition for allowing me to film them was not to display any of their faces, except for J, who seems to be way more outspoken and might even take the role of a frontman in the future. Actually, he was the only one in the group who seemed to enjoy the presence of the camera and to be willing to show off.  The rest of them can be considered as “closet vandals”,  some are married and all of them are professionally active, they see “The hunters” as some kind of secret bloodsport club. “For us it’s a well deserved way to blow off a little steam, we’re all hard working citizens you see, we undergo stress and responsibilities. Some prefer to do Yoga or macrame, but it’s not for us. And since there’s no Circus Maximus and no wars around here at the moment, someone’s gotta do the job” said one of them.


Only initials and nicknames are allowed during their gatherings, which always starts by a ritual which they defended for me to film or report here. With the Hunters, there is no “asking questions”, or too much talking in general. I wasn’t allowed to film the interviews or take pictures. The only thing “J” agreed with was for me to follow them and film some of their actions. 

Surprisingly enough their hatred doesn’t seem specifically directed towards any gender or race. For all I witnessed and heard them say, their only concern relates to “class”. They openly hate the poor, that they consider “parasites”, often calling them “scum” or “whack”. 

“Krisis” (whose real name is Christine, I learnt after) a female member is very clear about their views: “we’re not against progress or gender equality, we actually believe in those things, but we believe a healthy society has to self regulate. That includes wiping off undesirables, the kind of people who take advantage of it and never give anything back but mediocrity, ugliness and disgrace.”

“We live in a rotten time of human history, a world in decay, we don’t belong in such a wasteland. Technology and science should have brought us happiness and we think it could, but take a look at this, it creates too much waste. Toxic waste, human waste… We refuse the loss of meaning that it imposes on us. We choose to fight, we celebrate the strength of youth, willpower and survival of the fittest. A core value that our democratic world has forgotten for a long time”.

In the morning, shaken by what I had seen and praising God for making it home, I listened to some Figure Section while watching the images. Something worked straight away between the images and the track and I found the lyrics were about alienation and the violence of today’s society. In my train of thoughts I figured it would make sense to recycle those videos into a music video so I roughly edited what I had and came with this result.

Spectre is out now for free download and you can get yours at: https://figuresection.bandcamp.com/album/spectre

Tuesday 05.11.21
Posted by Jeremy Schwartz
 

PREMIERE: Kujo - Al Moukawama (Modular Mind)

The Brvtalist is pleased to premiere a new track from Kujo. “Al Moukawama” comes off the excellent new album, The Rebels Have No King, which is out on Brvtalist favorite Modular Mind. Kujo is the solo project of K Choueiri a multidisciplinary Lebanese artist, label founder & mastering engineer. Weaponizing noise, drone and oriental drums as means of confrontation, Kujo's uncompromising approach is to observe, report and interpret the current state. The now-based in Amsterdam artist expresses angst through their conceptualized records on Modular Mind and hardware-based live performances in repurposed cultural spaces such as abandoned military shooting ranges or morgues. Under the Modular Mind imprint they propagate a strict ethos with the select contributing artists, prioritizing a slowburn and relevant recordings.

The Rebels Have No King is a report on the current human condition, a decade long interpretation by Kujo. This magnum opus expressed in trinity form (of audio, image, and text) invites the subject to partake in a boundless experiment that brings forth the voices of the unheard with cross-cultural interpretation between Middle Eastern and Western schools. Unapologetic by nature, the execution of these 9 recordings showcase a raw and direct connection to the artist, disembodying the persona. Each piece is riddled with complex human interaction and memory capsules of events occuring in contemporary times channeled in form of outcries. In classic Kujo fashion the weapons of choice are a pallet of haunting vocals, synthesizer noise and oriental percussion, recorded soundscapes of protesting under teargas rainfall, projecting you straight to the frontline.

This 9 track vinyl magnum opus is out May 30th. Pre-order yours on BANDCAMP.

-JRS

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Wednesday 05.05.21
Posted by Jeremy Schwartz
 

C4AT - WHEN THE CROWD LEAVES (Wrong Tapes)

The Brvtalist is pleased to premiere a new track from C4AT. ‘’When The Crowd Leaves’’ comes off the debut album, Strahov, by the Czech producer and rising techno talent. This is a noisy industrial track spiced up with effective screams and factory-like screeches echoed in the distance. C4AT is part of Organizovaný Plevel collective, fresh new blood in harder corners of Prague club scene.

The album was produced in studio space in Strahov (hence the title), the largest stadium ever built that used to serve for displaying synchronized gymnastics (Spartakiads)on a massive scale which was organized by the Communist Party of Czechoslovakia. This concrete monster of a structure definitely made a mark in the desolate and aggressive feeling of the album. Heavy, bare to the bones structures, evil and unnerving.

The album will be released on cassette and digital on May 7 by Wrong, the Prague-based DIY collective, label and event series promoter focusing on industrial, techno, harsh club, evil rave, EBM, hardcore and weird experimental music. Founded in 2016 by Trauma, HYΛEN, Jim Hate, Tomáš K. and Ver.

Get yours at: wrongtapes.bandcamp.com/album/strahov

-JRS

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Tuesday 05.04.21
Posted by Jeremy Schwartz
 

Ravemore Berlin - INTERLINKED + Interview in 360

The Brvtalist is pleased to present an interview with Ravemore Berlin shot in 360. This is the first time I have done an interview shot in this format and it’s with good reason. Recently Ravemore launched, INTERLINKED, “the world’s first raving series in virtual reality.” The project uses VR technology to insert the user inside the concrete walls of an underground party in Berlin (more on that later).

While intrigued by the idea, it was also not the first time I heard of Ravemore. Last year, the group emerged offering a new isotonic rave drink, directed squarely at party goers who need replenishment during marathon dancing sessions. While the pandemic may have delayed those plans, the group re-tooled and came back with INTERLINKED, something perfect for the pandemic era and beyond. I had to know more about the group so I reached out to the founders who agreed to meet and talk about their projects. Building on the INTERLINKED theme, they suggested we film the interview in 360 degrees so that users could move around the room and it would also be VR compatible. The group found the perfect Moroccan tiled oval room at an undisclosed location in Berlin and we placed a 360 camera in the middle. What followed is the first ever interview with co-founders Dennis Mühlhauser, Michael Vollmuth, Felix Humann with indispensable technical support from Walmir Hong-Thome. Watch below and read more about INTERLINKED afterward.

ORDNUNGSAMT

INTERLINKED’s first episode takes its name from everyone’s favorite enforcement agency (not really), the ORDNUNGSAMT. The title carries a bit of irony as the episode is about what would certainly be an illegal rave somewhere in Berlin. I was eager to try INTERLINKED but literally had no idea what to expect. While VR has undoubtably been making headlines for years, I personally have very little experience with it and was excited to see what the hell this is all about. As part of a package, Ravemore ships you a branded VR headset and “ticket” to enter the VR rave. The headset has a removable slot for your smart phone and you need to be sure to adjust the lenses, connect your headphones and you’re ready to go.

The episode immediately plunges you into first person view and you are with a group who get’s a call from guest DJ Callush about a party. You then follow your crew though an abandoned concrete structure until you find Callush crushing a private dance floor which you can partake in. There are a lot of nice touches such as visible track ID’s and it’s great to do some urban exploring with Berlin’s iconic TV tower showing up in some frames too.

Afterward, I felt both impressed and excited. I did not expect the experience to be so immersive just from using a smart phone and head set but it definitely was like nothing else I’ve seen. It also reminded me of the huge potential that exists within VR. You can essentially travel anywhere and experience anything as if you were there. INTERLINKED is an innovate project that I hope more experience and can’t wait to see what Ravemore does next with it.

To start using INTERLINKED visit: https://www.ravemoreberlin.de/









Monday 05.03.21
Posted by Jeremy Schwartz
 

The Allegorist - Unlimited Dedication (Awaken Chronicles)

The Brvtalist is pleased to present a new track from The Allegorist. "Unlimited Dedication" comes off the album, Hybrid Dimension II, a masterwork which finds the artist singing in the fictional and majestic Mondoneoh language, to connect all nations. The release travels through 12 tracks of otherworldly compositions that cannot be described by one genre but traverse electronic experimentations, celestial soundtrack and immersive textures which transport you to someplace unknown.

Hybrid Dimension II is out May 7 and you can get yours on BANDCAMP.

-JRS

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Monday 05.03.21
Posted by Jeremy Schwartz
 

New Brvtalism No. 278 - Simona Zamboli

The Brvtalist is proud to present a new mix from Simona Zamboli. The Milan-based electronic music producer and sound engineer delivers this excellent analog live set to our series. Her compositions follow distorted rhythms and are surrounded by intricate and nostalgic melodies that settle within interrupted and jagged computer glitch noises. Esotericism and psychedelia are infused throughout her sound. Her latest release, Ethernity, is out now on Frankfurt's Mille Plateu.

-JRS

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Friday 04.30.21
Posted by Jeremy Schwartz
 

New Brvtalism No. 277 - Ivan Zoloto

The Brvtalist is proud to present a new mix from Ivan Zoloto. The Karelian-born, Barcelona-based producer has been active across multiple genres and roles for years, including running Russia’s Full of Nothing (2010–2018), playing drums in the drone band Petrozavodsk and used to be one half dark electronica band Love Cult. He has also performed at prestigious events such as Sonar, Flow Festival and CTM, as well as collaboration with Vincent Moon. Most recently he launched his own label School of the Arts, which saw the release of his own Pleasure Prison, which shows his love of drone and soviet electronics. His mix for us today furthers that aim and is a powerful journey through industrial, electronic experimentations and more.

-JRS

Track list:

Cataclyst - The Gawds are still at Karnak I [Tantric Harmonies / Zhelezobeton]

Narcosonic - Rising Up [Unreleased]

Ivan Zoloto - Thinking of You (feat. Li Huihui) [CANT]

Merzbow / Prurient - Part I: City Barbarism Melancholy [Hospital Productions]

Robert Turman - Soft Self Portrait [Chondritic Sound]

Ivan Zoloto - Voice Message (feat. LSS) / Elevator Scene [School of the Arts]

Microcorps - ABII (feat. Astrud Steehouder) [Alter]

Maëror Tri - Take My Hope In Fertile Fields [Tantric Harmonies]

Shredded Nerve - Godless Final Hour [Chondritic Sound]

Mattias Gustafsson - Piece For Piano & 2 Sony TC-270 [Hästen & Korset]

Hypnoz - Rise [Zhelezobeton]


Friday 04.23.21
Posted by Jeremy Schwartz
 

Aleister Blake - Cyber Fame, Real Pain (Clan Destine) *Video Premiere*

The Brvtalist is pleased to premiere a new video from Aleister Blake. “Cyber Fame, Real Pain” is the title track off the debut release from the new project of French producer Tim Gainet, who is also known for his work as IV Horsemen and in Poison Point. Aleister Blake marks a new, more devious direction of shattering industrial rhythms and evil vocals which pull us deep into the project’s pitch black world. The video today is a perfect visual representation of the brvtal Aleister Blake ritual.

The release is out April 23rd on digital + cassette and you can pick yours up on Clan Destine Records.

-JRS


Tuesday 04.20.21
Posted by Jeremy Schwartz
 

Asymmetrical - Kriminal (Raw Culture) *Video Premiere + Q&A*

The Brvtalist is pleased to premiere a new video from Asymmetrical. The Rome-based producer and all around handyman returns to his home imprint for a new 12”, Blind Faith, that also marks 5 years of Raw Culture Records. A long way from the label’s humble beginnings of home made Sony tapes, Raw Culture has continued morph into a home for mutant EBM, electro, wave, techno and more, all with an underlying raw sound. For the fifth anniversary, Asymmetical steps up with a killer EP that crosses all the lines, pushes the boundaries and forgets genre with mega tracks of elctro-body-shock therapy. Today we premiere the mesmerizing video for “Kriminal” and to mark the anniversary we also have a Q&A with the artist and label owner. (see below)

Blind Faith is out April 25th and you can get yours on BANDCAMP.

-JRS

The Brvtalist: Tell us how you're feeling about Raw Culture turning 5 years old?

Asymmetrical: I feel pretty incredible to tell the truth. Raw Culture was born as a DIY Label, and in many aspects wants to stay that way, but if I think that from those first 30 Sony cassettes that we home recorded we slowly got to press 300 records (even with labels and printed covers, rich stuff!) I am quite satisfied.

Beyond the mere talk of numbers I am especially satisfied with the different relationships woven in these five years with many people between artists, other labels, promoters, distributors, record stores and simple supporters, as they the real satisfaction, the true lifeblood of all this.

TB: Do you think running an independent label has become easier or harder over the last 5 years?

A: It's absolutely not easier. At the beginning I thought there was a lot more fertile ground and a lot more enthusiasm (consider the record sales boom of 2017) and even media and press agencies were much more open and interested. Over the years I have seen much more of the scene breaking off into sects. However, channels like Bandcamp allow labels to create a stable community and trigger direct relationships with your fanbase.

An increasing role, especially in this time when physical digging is not possible, are played by Social Networks. I’ve re-evaluated Instagram enough times already. One of the few things that have changed for the better I think is the timing of the pressing plant. It's much faster but that's maybe also due to decrease in demand. Printing and above all selling 300 records in 2021 has become more difficult than 2017, even for labels much bigger and older than ours. The interesting challenge of 2021, also because of the Covid Pandemic, from my point of view, is to understand how to get the music to as many people as possible, without losing your identity.

TB: How has Raw Culture evolved since the first release?

A: First off, we don't record Sony tapes anymore at home haha! We evolved so much because we have given space to a lot of genres and types of releases and artists. Our evolution is also the evolution of many of the artists who work with us, some of them in a quite stable way, who maybe propose their side projects and so on. We're always open to amplify their voices.

On the other hand we didn’t evolve so much because we always focus on raw sonorities. In general we are continuously experimenting and trying to improve ourselves, to improve our distribution and all aspects of the label, to bring to the listeners the music we like, in some way, to make culture.

Asymmetrical - Blind Faith (2021)

TB: Tell us about the Asymmetrical release and "Blind Faith" the dark, savagely comic novel that inspired it.

A: Blind Faith is a book I accidentally stumbled upon while reading another book for college and immediately fell in love with it. I like the sci-fi genre especially when it comes to the impact that media and technology in general have on society and on everyday life. Blind Faith gave me some interesting ideas that I tried to translate in sound. In general, it wants to be a critique of post-capitalist society, of the unrestrained exploitation of our planet, of the continuous loss of privacy dictated by the rotten system of exploitation and appearance in which we live.

All tracks were all recorded between January and March 2020, at FAUNA53, in Rome, and edited during the first lockdown in my hometown. From there began a journey with Linkin Bios, to try to communicate visually the concept of the album. They worked super hard on the design of the vinyl record in order to make visible the feelings inspired Blind Faith.

TB: How is your mood at the moment with everything? Feeling more hopeful about the music and nightlife industry or not at all?

A: At first it was quite difficult because for me the club is a constant source of inspiration. I took advantage of this and stopped looking for other sources of inspiration, to dig more around music but also in other forms of art. As a label we have changed our line of releases, we are trying to interpret in our own way the times, the absence of the club, trying to do research, propose something more stimulating and at home listening stuff.

Honestly I’m not very satisfied about how things are moving to the nightlife industry. I’m a bit skeptical about the actual validity of these digital events that are born as mushrooms, children of the Boiler Room culture. I see this effort to reproduce the pre-Covid experience in an identical but digital way as absurd. To think of a return to normality is foolish. To think about the club in its original value and its dynamics is what should be done, but without much philosophy, but in a natural and organic way.

TB: What's coming up next / anything else you want to mention.

A: We have a lot of plans for our “Several Future” as always. As I have already said we have for now more club oriented releases on standby but we have in our basement a lot of interesting stuff ready. Our next release will be an EP by Nostalgie Eternelle scheduled for early June. We have scheduled in September our first reissue: we will bring to light the work of an Italian post-industrial group and its work carried out between 1983 and 1986, some never published before.

From Sassano, that’s all for now.

Asymmetrical

Friday 04.16.21
Posted by Jeremy Schwartz
 

PREMIERE + Q&A: FadeFace - Variation two (Lemos)

The Brvtalist is pleased to premier a new track from FadeFace. The New York producer and DJ is set to launch his new EP, Artifacts, on his own Lemos imprint. The release is contains three originals plus one remix from heavy hitter Thomas Hessler. For this EP, the artist traverses a multitude of atmospheres, ethereal synths and heavy kicks for some excellent techno experimentations that find their way at home in many situations.

Artifacts is out April 29th on vinyl and digital and you can get yours on Bandcamp. I’ve known Otavio (FadeFace) for some time now and glad to present this great Q&A where we discuss the release, New York and beyond. (see below)

-JRS

The Brvtalist: Artifacts is the fourth release on Lemos. How do you think the label has evolved since the first release?

FadeFace: Well first off I’d like to say thank you so much for having me. It really is a pleasure and love all that you guys have been doing. In the beginning of 2020, I had already been making a ton of new music that I wanted to share with everyone. Then the pandemic hit and it was a perfect opportunity for me to sit down, think about what it was I wanted to express and to put out the music. The label and I have grown exponentially since the start of the pandemic. Lemos, at first was a digital label meant only to be a platform for my own creative expression but now I'm slowly getting more and more collaborators involved in the making of not just the music, but also the artwork. I’ve also learned a whole lot about what it takes to run a label and to release a piece of art. I had no idea all the work that went into pressing and promoting a record as well as all the expenses that went into it. It's been a healthy learning process.

TB: Tell us about recording Artifacts. What inspired the record and talk about any themes involved and also the remixer, Thomas Hessler.

FF: Recording this EP was so much fun and very quick as well. I think I recorded the whole entire EP over a weekend. I actually started with the making of variation two and due to there being only about 4 to 5 elements to it, It allowed me to actually record a live jam of me performing the song. The rest of the EP was recorded similarly but with more editing in post with the multi-track in ableton afterwards.

The inspiration for the record came from my experience at the club. Usually when I go out, a particularly favorite part of my night is often times closing. Picture this, maybe the party has been going on for the past day and the DJ who is playing is closing with maybe 10 hours left before the night is over. There’s a lot of space on the dance floor, and only the people who will be there until the end remain there. No talking. Everyone is just in their own trance. The DJ begins to play this type of Minimal Techno with lots of movement and drones. That's where the theme and inspiration came from for this record. I wanted to make an EP for that exact moment in time.

As for Thomas, I’ve been a fan of his since the release of his record Eclipse. We met when we played together at Basement NYC along with Oliver Ho. I was so happy to find that Thomas was not only a phenomenal Dj and Producer but as well as one of the sweetest people I have ever met. He is a really nice guy and we spend the whole night hanging out after our sets. We quickly became good friends and I asked him if he’d like to be a part of this record with me. With no hesitation, he was on board and as they say the rest is history.

Photo by: Rachael Uhlir @___metamour

TB: How has your creative process been during the pandemic? Did you have a surge of creativity or maybe not?

FF: This is a really interesting question. I say this because for me and I'm sure many other Dj/Producers in the techno scene(and just artists in general) have been struggling with this. As artists in this scene we gather inspiration from the often time, frantic parties we are in. The way the people dress, dance, party and the way the venue looks and feels with the lights and loud sound system is where a lot of our inspiration comes from. You might be making one type of music but maybe you experience a different type of techno and party that you never had seen or heard before and now that experience is a heavy influence on your sound going forward. Right now this is not a source in which artists can gather this type of inspiration from, so we have to look elsewhere for that. Which also means our sounds will develop and change, and for me is always a good thing. I find myself making less hard techno these days due to the fact that I'm not constantly bombarded with it every weekend and Instead I've been making more groovy, hypnotic techno, almost sci-fi sounding. I have had a huge surge of creativity, mostly coming from all the time I’ve been spending in the studio. There’s literally nothing to do in New York right now so all I’ve been doing is experimenting with different ways of approaching my sound design and music making.

TB: What's the mood like now in New York with vaccines rolling and more life coming back?

FF: There seems to be a lot of hope going into the spring and summer. Right now I’d say that mostly everyone I know is on the same page with getting their vaccines so we can go back to normal life here in the city. However, I’d like to not get my hopes up. They are talking about possibly lifting some regulations going into the summer and maybe even the possibility of doing parties as long as you have your vaccine passport. Fingers crossed we can dance again this summer.

Artwork by Rachel Uhlir

TB: What's coming up next for you/anything else you want to mention?

FF: At the moment I think I’m just focused on the label and getting more releases out when I can. The next record will be a treat and I'm hoping to be able to announce that very soon. Apart from that I have some releases scheduled to come out later this year on other labels as well a live modular live set I recorded with my friends from The Vine Sessions which will be out on Youtube later this month.

Photo by: Rachael Uhlir @___metamour

Wednesday 04.14.21
Posted by Jeremy Schwartz
 
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