New Brvtalism No. 130 - Keepsakes

The Brvtalist is proud to present a new mix from Keepsakes. The British born, New Zealand-based DJ and producer has sent shockwaves through the underground recently with some killer releases on Mindcut and S.L.A.M. New Brvtalism No. 130 is a wicked journey through this artists sound which includes crushing cuts from across the genres.

We must also recommend the artist's latest EP, Perspectives From A Sterile Hellhole (HVN), which is four tracks of industrial and techno madness that will destroy the warehouse. For more visit Bandcamp.

-JRS

The Brvtalist Premieres: Headless Horseman - "Concussion"

The Brvtalist is pleased to premiere a new track from Headless Horseman. "Concussion" is a massive offering from the new EP, 47014, on Tommy Four Seven's "47" imprint. We are thrilled to see the masked rider back on this label and the EP is four tracks of sheer force. Beginning with the sonic awakenings of "Revelation" to the brutal, bitter end of "Gravity", a track that sends you crashing to the ground. An essential EP for the terrors of tomorrow.

Pre-order at 47.

-JRS

The Brvtalist Premieres: The Empire Line - "Herrensauna"

The Brvtalist is pleased to premiere a new track from The Empire Line. The project of Posh Isolation’s Christian Stadgaard (Damien Dubrovnik, Vanity Productions), Jonas Rönnberg (Varg), and Isak Hansen (Iron Sight), the trio's music is a cross pollination of techno, noise and other brvtal electronic explorations. "Herrensauna" comes off their debut album, Rave, out February 19th on the always impressive Northern Electronics.

From the first listen, Rave pulls you in to its nocturnal paradise with with 6 tracks celebrating contemporary rave culture. The song titles reference some of the trio's closest party operators and The Brvtalist is thrilled to host, "Herrensauna", one of Berlin's most beloved events. From this track's haunting, seductive rhythms to the infectious, "Music for Catwalks" and the immense Ø (for Vaino) the album offers a soundtrack to every part of the night, all ending in a cathartic purge of tension and ecstasy. For more visit: Northern Electronics.

-JRS

Unhuman - "Life=Decay" Video Premiere

The Brvtalist is pleased to premiere a new video from Unhuman. "Life=Decay" comes off the new 12", Alpha-Omega, out on Italy's Veleno Viola. The Berlin-based artist continues his impressive run with a scorching vinyl of proto-ebm bangers that also includes a remix from Charles Manier and another ripper from Aktion Mutante (w/Violet Poison). The video today feeds off the subversive anger in the record and is a brutal commentary on consumption.

Another strong release from Veleno Viola. Pick this one up at Ready Made.

-JRS

*video by Michael Andrysiak

An Interview With Sutcliffe Jügend

By Per Najbjerg Odderskov

You probably know them as an old school British industrial act who, together white Whitehouse, pioneered what is known today as power electronics. Some others may just know them as the act with that iconic name, which not only sounds evil when you say it, but also makes you remember. Finally, for the rest of you who think that Ministry and NIN are the only real industrial bands around, I say to you, "sharpen your ears, and get ready to bleed".

Sutcliffe Jügend (Kevin Tompkins and Paul Taylor) began in 1982 with the now notorious and highly sought after cassette, Campaign. They followed that with a 10x cassette boxset called, We Spit on Their Graves. The same year also came Seven Tortures. All three were released on the legendary pre-power electronics cult label, Come Organization.

After that, 14 years went by and we would not hear from the project. Finally, they were born again in 1996. releasing material on established imprints like Death Factory (CMI side-label), Old Europe Cafe, Cold Spring and Hospital Productions (to name a new). In total, 24 albums, which includes the 10x cassette box and a 6xCD album called S L A V E S.

To describe the sound of Sutcliffe Jügend in two words, I would say brutal avant-garde. A pure and skinless sound-entity of sheer abstract human aggression. The most vile and filthy themes of human nature are being thoroughly dissected and examined, and exposed to the curiosities of extreme music. If you think you know EVERYTHING about power electronics and have not yet gotten into this act, then you are in for a treat. They mix various styles into the mix, and are highly experimental in their sound. From musique concrete, glitch, noise and even minimal ambient.

Ahead of their first ever show in Los Angeles on February 9th, I asked them a few questions about their history, sound and what to expect next. (see below)

The Brvtalist (Per Najbjerg Odderskov): Sutcliffe Jügend ("SJ") began in 1982. Talk about the formation of the project and what kind of stuff (music, literature, movies) inspired you back then?

Kevin Tompkins: Initially it was pure music. At the time I was into post punk, Joy Division, Birthday Party, Suicide, ATV, The Pop Group, Slits, PIL, Dub Reggae also featured of course, stuff like that. It was a great era, informed by the likes of The Stooges, Can and the Velvet Underground, all bands I liked. Then I discovered Throbbing Gristle, Crass, Nurse With Wound and of course Whitehouse, which changed everything. I had already started doing something between TG and Whitehouse but then started experimenting with music that was more informed by what Whitehouse did. The sound soon evolved to be more visceral and more explosive than anything else at the time. To shock ones own senses for the most profound effect, that kind of thing. We fitted right in with what the Come Org. label was releasing. The Jügend in the name was alway Sutcliffe’s Children rather than Youth. It was very much of the time. I wasn’t a misogynist or anything like that, I don’t remember anyone being that way, our discussions were always quite the opposite, pro equal rights. Nor were there any political connotations. I know Joy Division, New Order and Sonic Youth have all had issues because of their names, it’s unfortunate, but ultimately it’s just a label or brand at the end of the day. I’ve never been into any extreme politics to be honest, certainly nothing right wing but on the contrary. I kind of like things as they are, somewhere down the middle. Boring but convenient. Although lately things have become a little too authoritarian in a 1984 kind of way for my taste. It’s fucking up free speech and discussion, not to say art. So called progress, eh.

Believe it or not, there’s always been an element of humour and irony in what we do, I think that was missed in the early days because it was so fucking dark. What you have to remember and it still surprises me to think back, initially SJ only existed for about six to eight months, so there’s not a lot to say about it, I stopped SJ to join Whitehouse of course. I remember about that time we did an SJ interview we constructed to be as extreme as possible. What answers would a complete psychopath give(?), that kind of thing. It was dark humour in a Derek and Clive kind of way. Nothing could be further from my own personality. Again it was pure art, as was the music.

TB: There was a long break up until about 1994. Why the hiatus and why the decision to start back up again?

KT: I’d left the scene for a normal life. I hated the whole thing. It just wasn’t me and still isn’t in some ways. That’s why we don’t tour and only do three or four shows a year. I love the creative process, and recording. I love doing live shows, but not touring.

After a fairly long period, Paul Taylor and I formed Bodychoke with Gary Kean. Paul and I knew each other from college and the punk scene and he plays on some early SJ material also of course. Bodychoke was a noise rock band I guess. Listening back, Swans, Joy Division and power noise guitar would best describe what we did. When Bodychoke split up in the nineties, Paul and I started doing more improvisation and some SJ material, more influenced by the Japanese noise scene, but still routed in the eighties. For the last fifteen years, musically we swing from extreme harsh expressive cathartic noise on one album to electro-acoustic experimentation on the next. Screaming vocals to spoken word. Lyrically we’ve covered a huge amount of ground as well - tracks about the shaming and the loss of shame in the modern world, the cheapening of art by politics, the horrors of abuse, the futility of revenge, personal loss, etc. It kind of amounts to the slow process of understanding our place in the world and the universe, I guess. On our next album we even deal with aging, although we’re not planning on going anywhere just yet, just a couple of close shaves and timely reminders.

TB: Why the decision to finally add the live element in 2005?

Paul Taylor: That is thanks to Gaya Donaldo of Hagshadow and Anti-Child League’s persistence in wanting us to play live. We always were concerned that the intensity of Sutcliffe Jügend could not be achieved live. Bodychoke always had an intensity at live shows. so we thought we’d try it. Over the years SJ has taken that intensity up many levels and then some. Dominic Fernow (Prurient) who was also performing at the gig, offered to put an SJ album out. That album was, This Is The Truth. We found a new voice with that, and we’ve been evolving ever since. I don’t consider us a power electronics band at all. It’s much more complex.

TB: Talk about playing L.A. for the first time and what can people expect at the Resident show?

PT: A relentless, full on performance. It will include some new tracks and some old. The show does not end until we have given absolubtly everything. Expect an intensity the audience would not have witnessed before. Our intensity and passion live has not mellowed with age, on the contrary.

KT: The shows become quite ecstatic and almost trance like, so I guess there will be some of that in there as well.

TB: Power electronics continues to see a lot of growth. Any new acts of today which you enjoy and can recommend?

PT: Personally, I am not a PE fan as such. That said, Puce Mary and Anti-Child League are producing some excellent material although I would not necessarily classify them as PE, or ourselves for that matter. It is great to see two strong women make such an impact in what is generally perceived to be a 'Misogynistic' scene. Most PE leaves me cold to be honest.

KT: I’d agree with that. I’m more into Classical, Jazz, Rock and Experimental music for sure. I like Ben Frost, Tim Hecker and William Basinski, which is kind of ambient noise at times. I think the likes of Scott Walker, Penderecki or John Coltrane can be more intense and difficult than any PE. I probably listen to our own recordings more than anything else though. Pretty uncool, eh?

PT: Me too, We do it for ourselves ultimately. It’s a bonus that anyone else takes any notice.

TB: What's next for Sutcliffe Jügend?

KT: We have a double album called, The Hunger, coming out soon on Death Continues Records out of Europe. It was a hard album to write and has lots of musical elements to it. It’s the most varied SJ album and certainly the most wordy. We’ve also just finished recording the most relentless sessions we’ve ever had. We’ve been going into the studio and recording pretty much an album a day. Going in with maybe one or two ideas, maybe one or two lyrics, and just improvising. The results have been amazing. It is what it is, warts and all. Really brutal electronics and vocals at times.

PT: We’ll be playing three tracks from the ‘Relentless Sessions' at the show. Keeping that feel while they’re fresh. Up and coming, we have several gigs in the planning stage across Europe and hopefully something on the East Coast of America sometime in the future.

The Brvtalist would like to thank Sutcliffe Jügend for taking the time to speak with us. If you're in Los Angeles, do not miss the duo's first ever L.A. show with support from Hive Mind and Clay Rendering Friday, February 9th at Resident. For more information visit here.

The Brvtalist Premieres: Viktor Kalima - "Zero to One"

The Brvtalist is pleased to premiere a new track from Viktor Kalima. The unknown Finnish producer debuts this month with the forthcoming LP, Club Muscle (Infidel Bodies), a stellar offering which seethes with pulse pounding EBM, burning electro-acid and Horror scenes drenched in sweat. "Zero to One" kicks off the record and sends sound shaves through the club.

Club Muscle is a thrilling good time with 7 throbbing tracks and two remixes from the inimitable Violet Poison and Brvtalist favorite Verset Zero. Out February 21st on cassette and digital formats via Italy's Infidel Bodies. Pre-order available here.

-JRS

New Brvtalism No. 128 - The Black Lodge

The Brvtalist is proud to present a new mix from The Black Lodge. The Los Angeles based duo is behind some of the best events and releases currently happening in the city and they are known throughout the world for their DJ sets as well. New Brvtalism No. 128 is a mind bending trip through the open portal to another dimension. The first half of the mix is by Kosmik and Force Placement takes over for the remainder.

Following up on the critically acclaimed Spirits of The Black Lodge Vol. 1, the crew recently released Vol 2. and you can expect more of the same fire from artists like TX CONNECT, Jason Loveland and more. Also, if you're in L.A. don't miss the upcoming gatherings on February 10th with Sneaker DJ and Morah and again on February 24th with Claude Young and Todd Sines. Over the last few years, few collectives have been this impressive and we look forward to much more from the Lodge.

-JRS

Sub-Age A/W 2018

Back with a vengeance, comes the new collection from Japan's Sub-Age. Continuing on from last season, this collection's theme is "Omikyu - ill omen", which features striking original artwork by Ohiana's acclaimed graphic artist YOSHIROTTEN KOU. Additional items feature the works of Greek artist Ayis Lertas, which are inspired by Satanist imagery and worship. Alongside these we find a nice variety of left of center standards, many of which draw on the culture of horror movies. The elements combine to create a suburb collection that exudes a haunting energy.

What's not to like about a collection that incorporates original art with satanic worship, horror movies street ready sophistication? Sub-Age continues to come strong and is definitely one to watch. For more visit: http://www.sub-age.tokyo/

-JRS

Photographer:Yuto Yokoyama

Stylist:Tatsuya Shimada

Hair&Make-up:Rie Shiraishi

Producer:TAKA(BABYLON)

The Brvtalist Premieres: Tomohiko Sagae - DB#3 (Stave Remix)

The Brvtalist is pleased to premiere a new track from Tomohiko Sagae. DB#3 (Stave Remix) comes off the Japanese artist's new cassette, Deba Bōchō, out February 8th on Amsterdam's Strange Therapy. Sagae utilizes the most powerful elements of industrial, techno and noise to create works that are sheer forces of nature. This remix from Stave (1/2 of Talker) reconfigures the original for a shocking new take.

With three new tracks plus another remix from Operant, Deba Bōchō is another great release from Strange Therapy. Out February 8th in limited quantities. For more visit here.

-JRS

David's Road F/W 2018

Out from the ashes of civilization, comes the new collection from David's Road. The Georgian designer's latest offering showcases his ability to infuse elegance into just about anything. These pieces are equipped for even the harshest cityscape while exuding a subtly powerful sophistication.

Hardwearing materials are a focal point here with leather, mesh and neoprene fusing together to create a dystopian uniform that is ready for every day use. Clean lines clash with destroyed fabrics and oversized sihouttes create a haunting shadow figure.

After just wrapping the showroom at Spring Sioux in Paris, we look forward to seeing these garments out in the world. For more information visit: http://davidsroad.com

-JRS