TB What is inspiring you outside of music right now?
PF: The absurdities of walking out my door as usual, but also film. Right now I’ve gravitated towards Polish directors such as Andrzej Żuławski and Piotr Szulkin. They worked in a time when the Polish government was censoring everything. It’s beautiful to see films that were partly destroyed or had to be created in a subversive way to still deliver their message, through these surreal, dystopian films that are so dark yet have a strong critique on society.
TB: You've been involved with lots of great projects over the years. How did Phase Fatale take shape and how would you describe the evolution of your sound?
PF: As I had always been working with drum machines, synthesisers, and electronics in my past bands, it was only natural for me to find a more direct, solitary outlet to create something even more extreme, darker, and colder than the post-punk genre I was within. The connection between these two genres is so apparent, and they share many of the same sonic elements and a strong industrial aesthetic. Eventually, Phase Fatale became my main focus after playing in many bands as I found this was where I could really do something different that I wanted to do and push boundaries in the seemingly limitless world of electronic sounds. I want to reference my multitude of references; like wave, post-punk, industrial, or shoegaze; and create something entirely new without looking back. And through this alchemy, I can also combine it with harsh and new concepts. With each release, I think it has grown more into its own identity, shedding so many references to the past environment.
TB: You've been traveling a lot recently. What are some your highlights and what's coming up next?
PF: I’m writing this interview now from Tbilisi where I’m staying for a couple of weeks. It is starting to become a second home. I just debuted my new live set at KHIDI, the club here where I am a resident DJ. I’ll take the live set on the road to select events later this year and next too. In Tbilisi, there is a beginning of a new scene in electronic music, especially for the darker and more industrial side. It is completely fresh here and without any prejudices or preconceptions of this music that are hard to shake off in most of Europe or North America. Especially at KHIDI, I think together everyone can create a strong community around this music in a place that really needs this specific sound and feeling to express themselves and do something entirely new. As far as plans for next year, things are forming as they always do…let’s see what’s going to happen.
Redeemer is out October 13th, in 12", CD and digital download. For more visit: http://hospitalproductions.net/
-Marie Bungau