New Brvtalism No. 047

Submerged in the dark, hope begins to fade. With a fleeting breath, you are pulled beneath.

The Brvtalist is proud to present a new mix by New York City-based duo, Winkie. Shattering genre classification, Winkie extracts elements of post-punk, darkwave, shoegaze and pop to create a wonderfully distorted creative vision. Their latest release, Come To My Party, is a stellar full length effort that creates a bleak, desperate environment and takes the listener on a dark, unsettling journey. From their harsh, droning guitar to piercing, distinctive vocals, Winkie offers something both powerful and cerebral. We were lucky enough to catch the duo at last week's Part-Time Punks show in Los Angeles, and their live act is equally as impressive.

New Brvtalism No. 047 is a nice look inside the mind of Winkie and you can see how their sound has development the way it has. Come To My Party has been a go-to record as of late and we look forward to seeing more touring and new material. For more information, please visit: https://winkieband.tumblr.com/

Track list:
The Birthday Party : Dead Joe
Tuxedomoon : Where Interests Lie
Chrome : Mondo Anthem
Xmal Deutschland : Geheimnis
Dead Can Dance : The Trial
Section 25 : Dirty Disco
Public Image Ltd. : Banging The Door
Malaria! - Your Turn To Run (I Will Be Your Only One)
Cabaret Voltaire : Premonition
Joy Division - Exercise One
Throbbing Gristle : Walls of Sound
Winkie : Tasting My Heart For The First Time
Swans : Half Life
Thrush and The Cunts : Diseases
The Associates : Kitchen Person

Mercedes-Benz Fashion Week Russia

Milan, Paris, New York. These cities are synonymous with high fashion and their respective fashion week events are among the biggest and most popular in the world. With that being said, the fashion world is constantly changing. New markets are always emerging and designers, journalists and most importantly buyers, no longer necessarily reside in the traditional epicenters. One of the most important new markets in fashion is Russia. The country has undergone immense change and that has brought significant appreciation for the arts as well as a consumer market that has exploded.

We are always interested in *anything* that is emerging and non-traditional and fashion is near the top of the list. Now in its 32nd season, Fashion Week Russia continues to attract more and more attention. Moscow has become a global destination for luxury goods and lifestyle (despite the frigid temperatures), and its fashion week event has been to intriguing to us for quite sometime. This year's festivities took place from March 11th - March 16th and we thought we would take a look at the offerings this season and bring you some of our favorites from the AW 2016/2017 collections:

*click to enlarge

Ksenia Knyazeva

Ksenia Knyazeva is an upstart brand with her first collection debuting in 2010. Hailing from the city of Penza, her fashion is pure Russian elegance. Leaving out embellishment, Knyazeva places her focus on detail, heritage and sexuality. From striking fur coats to floor length gowns, we liked that her pieces are 100% Moscow winter style. Also, bonus points for a bar and cocktails on the runway. For more, please visit: http://kknyazeva.ru/

Viva Vox

Viva Vox was founded in 1997 and has evolved nicely over the years. In 2005, the brand invited Oleg Evseev to become the creative director of the company. A graduate of Ecole de Couture van Rijn in Holland, Evseev brings a fresh European attitude to the fashion house and he has a particular affinity working with furs and leathers, which as we can already see, are big time favorites in Moscow. The oversized wrap coats and beautiful furs are quite impressive and successfully fuse progressive style with practicality. For more information please visit: http://www.dressone.ru/designers/viva-vox/

PIROSMANI BY JENYA MALYGINA

Pirosmani is the creative force of Evgeniya Malygina. Active since 1999, her concept is ANTIPODIUM: "No fashion, no trends, no season". Her works are incredibly versatile and can easily fit in to situations from casual to evening. While there's a lot of Russian and ethnic heritage on display in Moscow, this was one of the most current collections. Monochrome palates with impressive draping and long, sophisticated coats, made this one of the more progressive lines at the event. More for please visit: http://www.pirosmani.info/

Julia Dalakanian

For over 20 years Julia Dalakian has been designing in Moscow for local and international clients alike. For the early part of her career, she presented collections at events in Berlin, Milan and New York. She focuses much of her efforts on collaborations and capsule collections with the intent of increasing production soon. Her A/W '16-17 line showed a nice range of abilities. From contemporary to classic, Dalakian's vast experience shows in her work and we enjoyed the bright reds mixed in with black and one of our favorite colors silver. She's a talented designer with the ability to go in multiple directions and we always appreciate that. For more information, please visit: http://www.dressone.ru/designers/julia-dalakian/

Overall we were impressed by many of the offerings presented at Mercedes-Benz Fashion Week Russia. Many of the participating designers pay tribute to the vast and diverse cultural heritage of their country and that was very evident from start to finish. While not always our aesthetic, there were some designers who showed the progressive, avant-garde sensibilities we are mostly drawn to. There's a lot of young talent in this up and coming market and the event does do a nice job of showcasing these artists and helps put them in the international eye. As Russia's importance continues to grow, it will be very interesting to see how this event will change (if at all) in the years to come. For more information and all collections please visit: http://mercedesbenzfashionweek.ru/en/

-JRS

Bestial Mouths - "Heartless"

When I first heard Bestial Mouths, I thought I was listening to a more industrial version of Diamanda Galás. At the same time, the powerful vocals of the lead singer took me to a different place than that of Diamanda’s songs. Slightly darker, savage and filled with anguish and the unknown.

Bestial Mouths is an L.A. based band which clearly doesn’t fit a single music category. Ranging from post-punk, goth to industrial and even power electronics, their music is most of all confrontational and engaging, inviting the listener to question and try to understand it. You can’t really listen to Bestial Mouths passively because there’s too much going on. Like any other art, music is supposed to move you, to make you feel something and even to doubt that feeling, and this is exactly what Bestial Mouths is doing.

Their latest creation, Heartless, is out on famed label Cleopatra Records and comes as a continuation of, and even a progression from, their previous releases. Lynette Cerezo, the main voice of Bestial Mouths, says this about Heartless:

“This album I feel captures the true essence of Bestial Mouths as we were able to rerecord new versions of past songs along with new ones (showing a scope of our progression). The new songs are extremely personal to me which I feel curated the whole LP's concept and feel (the art work and new video for Heartless (soon to be released) put these emotions into visual form).”

For your listening pleasure, we are proud to feature one of our favorite tracks, "White Eyes", exclusively streaming for The Brvtalist:

<a href="http://bestialmouths.bandcamp.com/album/heartless">Heartless by Bestial Mouths</a>

The album is filled with powerful energy, bringing us a metallic sound, with thick, heavy synths. The opening track “Grayed”, not only sets the mood, but also gives the listener proof that this LP is indeed a complex and provocative creative result. The powerful percussive rhythms of “White Eyes” create a story that’s being backed by ritual-like music, danceable grooves and a strong feral feel. Like on their previous albums, the lyrics follow the stream-of-consciousness format that’s characteristic of their style, and the piercing vocals resemble the sirens’ call - especially on “Small Pray” and “Heartless”, forcing the listener to succumb to the mesmerizing music of the band.

Heartless is a powerful and exciting release that take's the band's work to a whole new level. Head over to their Bandcamp page to buy the album, and if you’re in Europe, you might get the chance to catch them live, as they are in the middle of their EU tour (see dates below).

-Mărie Bungău
Twitter

New Brvtalism No. 046

A sudden force pierces the membrane. Shock is the only sensation. Transmission has begun.

The Brvtalist is proud to present a new mix by Washington-based artist Raica. A prolific experimental sound composer, Chloe Harris also heads the innovative label Further Records. Operating in genres ranging from techno to experimental to ambient to even classical, Further Records has established itself as one of the most progressive and forward-thinking labels today. As a solo artist, Raica has released a string of superb full lengths, EPs and singles. Her compositions always maintain a sense of sophistication, surrealism and technical precision. Some of our favorite albums, such as Dose and Motorsatz, reveal a dark complexity and a delicate ambiance that resonate loudly.

New Brvtalism No. 046 is a blissful journey into the unknown depths of sound and atmosphere. Included are tracks from forthcoming Further Records releases as well as Harris' own material and more. We would like to thank Raica for this incredible contribution to our series and we look forward to bringing you more from Further Records. For more information please visit Facebook and Soundcloud.

-JRS

Track list:

Monadh - Ria [Further Records] - forthcoming April 2016
Thanet - Venus [Mordant Music]
Human Rays - Condensity [Further Records] - forthcoming June 2016
Strategy - Public Voyeurs [Further Records]
Acronym - Aftermath [Northern Electronics]
Decimus - Untitled [Further Records]
Jonathan Fitoussi - Microscopic [Pan European Recording]
Thanet - Earth [Mordant Music]
Material Object & ISHQ - 30 MHz [No.]
Nuel - Steppin Stone [Further Records]
Thanet - Uranus [Mordant Music]
Raica - Flatus - unreleased
Material Object & ISHQ - 76 MHz [No.]
Jonas Reinhardt - Shattered Remains Of Orr [Further Records]

Object Occult - The Double Dream of Spring

With Spring and Summer months rapidly approaching, it's time to start to focus on the seasons' fashions. Gone are the heavy, bulky fabrics of winter and we can now usher in a new set of materials. That is what we love most about the Spring/Summer 2016 collection by Shanghai's Object Occult. Titled The Double Dream of Spring, the collection is a beautiful and delicate array of looks that are soft, breathable and ready for the heat. Using fabrics like linen, tinsel, and even lightweight wool, the clothes carry a nice subtly with amazing handcrafted qualities and discreet, impressive details.

*click images to enlarge

The sophisticated layered ensembles are among our favorites. Linen jackets with hoods and nice pockets pair well with loose, white collarless shirts for a monochromatic look that is undeniably summer.

The campaign is equally as intriguing as the clothes. With anonymous models and often unisex silhouettes, there is a definitely sense of duality and genderless undertones. The masks and dark, cold setting give it the brand's signature occult feel and we love the mysterious mood of the photographs.

Object Occult has proven to be a seasonal favorite of The Brvtalist. With its spot on imagery and fashion that is subtly renegade, we always identify with the concepts and message of the collections. The brand also maintains a high set of standards with their use of luxury fabrics and much of the collection is handmade in Italy. With Summer seemingly already here in Los Angeles, these pieces are incredibly right NOW. For more information please visit Object Occult and Tumblr.

-JRS

More Ephemerol - "Tomb Shaker" + Q&A

In the modern world, the individual is more powerful than ever before. Today, one person is able to accomplish what used to require many. This is one reason why we admire Los Angeles-based multi-disciplinary artist Chad Fjerstad. With hands in everything from solo projects to directing to video-editing, Fjerstad has created a very impressive artistic portfolio. A member of several different music projects from The Primals, Children and Ass Life, he has also directed a video for Bustié, penned a novel and runs a multimedia production house called Ephemerol Night Terrors.

Today we feature his music project, More Ephemerol. A synth-based offering, More Ephemerol has a debut LP entitled Fractal Bath and just released a new video directed and edited by Fjerstad himself. We are pleased to debut the video as well as present an insightful Q&A with the artist ahead of his live show this coming Friday, March 11th, at Basic Flowers in Los Angeles. Please find the video and Q&A below:

More Ephemerol "Tomb Shaker" from the FRACTAL BATH LP Directed & Edited by Chad Fjerstad Graphics by @jmckeehen Photography/Camera Operation by Londry Produced by Chad Fjerstad & Londry

The Brvtalist: You are involved with multiple different projects. Tell us a little bit about More Ephemerol. Where does it fit in and what is the idea behind the project?

Chad Fjerstad: More Ephemerol is my open-ended synth baby. I have an affinity for so many different sub-genres of synth-based music, I didn't want to be tied down to just one - so M.E. started as an expansive exercise for me. If you listen through the debut LP, "Fractal Bath", you will hear that every single track could be categorized in an entirely different genre. While this could be seen as either a flaw or a quality in the context of an album, I was happy to allow this versatile approach for the first release. "Fractal Bath" is more so a collection of my earliest works and experiments, rather than a traditionally focused album. When I created the initial 4 or 5 tracks, I had no idea I would be turning it into an LP, but it just ended up feeling right. Through this release, I've learned a lot about which approaches work best for me, and I look forward to doing a more honed-in release perhaps later this year.

TB: I have to ask if the name is a Scanners reference.

CF: It is absolutely a Scanners reference. Scanners is one of my favorite films and Cronenberg is one of my favorite film directors - his work has always been a huge inspiration to me, no matter what format I'm working with. In the film, Ephemerol is a suppressive drug used to disable scanners of their psychic abilities. There are intense moments where they are testing doses on the scanners and it never seems to be enough. I was just pulling from that moment, from that feeling, of something never being enough. As a metaphor, I generally think of stimulation first. I'm always looking for more stimulation.

TB: Tell us about the concept for the "Tomb Shaker" video.

CF: I wanted to do a very straightforward video for "Tomb Shaker", so that's what I did. I've been producing a fair amount of music videos the last 6 months or so, a lot of them with my friend Londry, who works at a very impressive video production studio just outside of Hollywood. We shot the performance footage there. I've been doing visual manipulations myself for years now but decided that for this video I'd like to collaborate with a visual artist whose work really floors me, instead of doing it myself for once. At first I was talking to Andrew Means (drummer of 3TEETH) who is an all around amazing musician, producer, an artist - he is an absolute madman with the software VDMX. But, then they landed their huge Tool/Primus tour and a ton of other crucial projects fell into his lap - he wouldn't have the time. Then, I discovered Jeremy McKeehen (@jmckeehen) whose style of impressive CGI visual art really went swimmingly with the aesthetic I had in mind through the entire process of creating the "Fractal Bath" album. He was the right man for this collaboration - I'm very happy with it.

TB: You have a live show coming up this Friday, March 11th, with a few other great local acts, including one of our favorites, Kanga. Talk about your approach to the More Ephemerol live show and what you want to do with it.

CF: More Ephemerol has generally only performed 2 or 3 times a year since it's fruition. For the first year and a half, I performed as a solo act. Recently, I've brought a rhythm section to the live show in the form of the talented John Kyle on drums and Josh Beck on bass. We played our first show as a three-piece at my ridiculously self-indulgent birthday party in January, and it felt fan-fucking-tastic. When I composed a lot of these songs, I was most inspired by groups like Goblin and Zombi - two groups which are primarily about rhythm and groove. There will always be an edge of prog in my compositions, and in my blood, and I think the rhythm section is exactly what this project needed to function as an effective live show. I am excited to move forward with that in mind and I'm looking very forward to the Basic Flowers show on Friday, with a lineup full of brilliant L.A. up-and-comers.

TB: What's next for Chad Fjerstad?

CF: I'm always working on a few things at once. It's the only way I can function. I have a few things in the works, 1. I'm operating a multimedia production house called Ephemerol Night Terrors. So far, I'm putting out literature and music cassettes. I am honored to be putting out the new album, "Technophelia", by one of my favorite artists in L.A., Geneva Jacuzzi. It's my favorite album of 2016 thus far, easily. Tapes are arriving this week. 2. I am producing hard electro tracks under the moniker Fiercedad. I have been working on the debut music video for my track, "Portland Fuckboys". If it turns out the way I want, it may very well turn some heads. It might gross a few people out. I need to shoot a couple more things. I'm looking forward to wrapping that up soon, 3. I'm currently slaving away at my second fictional novel, which in summary is about touring in a death metal band, working in the porn industry, general ignorance, dependence, and the generally vile nature of human beings. It's going to be called Warship Satan. I put out my first novel, Popping Cherries, in 2014, under the pen name Cetus Revok (another Scanners reference). If you're in the mood for something a little juvenile but very perverse and very surreal, check the book out. I've always thought of it as a Goosebumps book for adults. 4. I want to start one more music project this year! I have a vision for something extravagant. I can't say much as I haven't even begun writing the songs yet, but I want a full ensemble - probably a seven-piece. The idea is to not be able to categorize the band by genre. But some of the biggest influences coming into writing from the beginning are going to be: Human League, Scott Walker, Uriah Heep, YMO, and Queen.

We would like to thank Chad Fjerstad for these great responses and excellent video. The Brvtalist is always a fan of artists who are not confined to any particular medium and Fjerstad is a great example of this. We encourage you to check out all of his other great projects. For more information please visit Facebook.

-JRS

Autumns - "Das Nichts"

The Brvtalist is pleased to present the latest release by Derry-based outfit Autumns. Christian Donaghy's post-industrial project has found a new home with one of our favorite labels, Clan Destine Records. After successful releases on Downwards and CF Records, Autumns has returned with a limited cassette release that finds the project diving even deeper into blackened, electronic soundscapes. While drawing influences from early industrial pioneers and modern experimental electronics, "Das Nichts" is a powerful release that seamlessly blends an impressive array of both genres and moods.

The centerpiece of the release is no doubt the 19-minutes long "Motel Lover". The track is a twisted journey with a haunting, brvtal narrative. "Fed By Dominance" sees a more traditional techno-inspired beat, layered with loud, punishing industrial influences. We also enjoyed the blackened, distorted vocals and guitar feedback that works nicely alongside analog beats and driving kick drums throughout the release. The video for "Fed by Dominance" is the perfect visual accompaniment - filled with images of fetish, bondage, violence and harsh cityscapes.

Das Nichts will be available via digital download and limited cassette (edition of 70) on our about March 15th. You can pre-order now at Clan Destine's Bandcamp. For more information and music, please visit Facebook and Soundcloud.

-JRS

Head Dress - "Slow Chime"

Ted James Butler is an audio/visual artist living in L.A. who creates dark and moody soundscapes under the name of “Head Dress”, and he’s also the host of a cassette-based, underground and experimental music podcast, Norelco Mori.

His latest release, “Slow Chime”, out on Hylé Tapes, is a 4-track cassette which brings us a heavily noise infused sonic experience, with dense, tribal influences.

From the artist:

"Slow Chime, If I recall correctly, was made almost entirely on my (beloved) Make Noise system. The 4 tracks were recorded over several weeks in Los Angeles. Side A highlights some variation to repetitive themes, and the first 2 tracks are duets with a prominent percussive element amidst an atmospheric backdrop of some kind.

I was pretty devastated to hear news of Nick Talbott's recent passing, so the 3rd track is dedicated to his Warp-signed project, Gravenhurst. His albums have been a huge inspiration in my work, even though that may not be immediately evident in my recordings. This is another 2 voice piece, that quietly meanders around for a bit before slowly fading into the distance. I think I used the new KORG Electribe for the haunting pad loop, patched into the modular.”

Having a different approach than his recent "Crawl, Take" release for “Cønjuntø Vacíø.", I would say that “Slow Chime” takes the shape of a rite of passage the listener needs to experience in order to fully internalize and accept a loss, in the same way the artist did. As Lars von Trier portraits in his “Antichrist”, death is followed by the “Three Beggars”: grief, pain, and despair. Similarly, “Coats”, “Slow Chime”, and “Gravenhurst” encompass 3 different emotions experienced by the listener, who’s taken into a journey accompanied by strong percussions creating a somehow ritualistic mood. Each track seems to pick you up from where the previous left off, in an attempt to create a homogenous experience.

After you dive in the discordant and muddy subconscious created by the first 3 tracks, “Ti11262014lT”, probably my favorite from this release (and not judging by the length might I add) comes as the final catharsis that marks the listener’s emotional transformation, a piece where all the sounds from the previous ones blend into a complex, dualistic and noisy 14-minutes long track. While the first half creates the image of that inner darkness towards which we tend to gravitate in our most low and harsh moments, the second one abandons the noisy patterns for a more peaceful and almost therapeutic dénouement. For more information please visit the following:

Hylé Tapes>> http://www.hyletapes.com/

Norelco Mori>> http://www.norelcomori.com/

Cønjuntø Vacíø bandcamp>> https://conjuntovacio.bandcamp.com

Ted James soundcloud >> https://soundcloud.com/tedjames

-Marie Bungau
twitter.com/mariebungau

The Last Conspiracy A/W 2016

Denmark's The Last Conspiracy is no stranger to The Brvtalist, and with good reason. The footwear brand's ability to subtly re-invent while maintaining its core values and aesthetic is an amazing feat. Very few labels have us lusting after boots like TLC season after season. Just as we were still fawning over some of the great sneakers and summer ready boots of the brand's Spring/Summer collection, it was already time to unveil Autumn/Winter 2016. TLC has given us an early preview of what is on the way and we certainly like what we see. Without further ado, The Brvtalist is pleased to present The Last Conspiracy Autumn/Winter 2016 collection:

*click images to enlarge

When looking at this collection, sophistication and simplicity comes to mind. The Last Conspiracy always does a phenomenal job of showing restraint and creating products that carry a sense of intelligence, style and versatility.

We love the monochrome palate and cold, stark appeal of the campaign. In keeping with previous collections, details are everything. Sneakers channeling qualities of boots and for women, chunky heels and interesting shapes and zippers are all prevalent. As per usual, expect the highest quality materials and handmade craftsmanship.

We always love winter whites, and happy to see some striking white boots show up in this campaign. When paired with an all black silhouette, it not only adds a nice finishing touch to the ensemble, but also draws your eyes to the shoe and puts it on display nicely.

We would like to thank The Last Conspiracy and Ateleier Marlo Saalmink for allowing us to present this great campaign. We always say winter is our favorite season (yes even in Los Angeles) and this is a good indication as to why. Further, shoes are arguably the most important part of any outfit and you can never go wrong with footwear from this label. For more information and e-boutique, please visit The Last Conspiracy.

-JRS

Credits:
Photo: Mikkel Völcker
AD: Marlo Saalmink
MUA: Margrethe Yasmin at Le Management

Lockdown by Chaca Q&A

The Brvtalist is pleased to present the latest collection by Berlin-based jewelry line Chaca. Submissive, shielding and versatile, "Lockdown" is an inspired collection that infuses elements of Shibari, fetish and classic elegance. We love the line's unisex appeal and each piece's ability to be completely transformed. While currently based in Berlin, founder and designer Chaca is of Danish descent and graduated from Middlesex University in London in 2012. Since then she has worked under several acclaimed artists such as Florian and Ateier Ted Noten. Instantly drawn to her work's dialog between art and fashion, along with quality materials such as gold, silver and luxurious black rope, we were very excited to speak to the designer about the collection, her inspirations and more. Please find the Q&A below.

The Brvtalist: How does "Lockdown" build upon past collections from the label?

Chaca: Inspired by the flexibility of identity, I continue the role-play as in my previous collection C.C. Hammer, where I invite the wearer to take on the identity as a bejewelled gangster. I love to play around with different alter egos, which is the reason I designed LockDown. The collection contains adaptable pieces inviting you to interact with the design of your jewelery and inhabit a world of multiple personalities. The black signature rope from my previous collections ties the collections together.

TB: Talk about the materials you use for Lockdown and how do they reflect the collection and the brand?

Chaca: As I mentioned before, I'm using the black rope as a continuing element in my collections. For this collection I decided to make a gold and a silver option, whereas before I have only made gold versions. I felt that it was time for me to explore new fields and I believe that silver and black works well with my inspiration from the fetish scene. The latex piece is a new element, which I have been very excited about launching, which obviously is also very much a piece inspired by the world of fetish.

TB: The brand is based in one of our favorite cities, Berlin. Talk about your relationship with the city and how it helps feed your creative energy.

Chaca: Berlin is indeed an amazing city to live in. It gives you a lot of space and freedom to unfold your creativity. I feel that it really opens its arm for all the individuals out there. I love to meeting people and get inspired by them. The city really offers a lot of different thing. I spend a lot of time in galleries for inspiration and joy. Another thing that I really love about Berlin is that it is one of the greenest cities on the world. There are tons of small parks where I love to sit and read by my self or just to look at the nature. I always bike no matter the weather and I love to see how the nature changes along with my rides. That really gives me a lot of energy and appreciation for the city.

TB: There's so many great references in this collection. I can't help but think about Shibari and other fetishisms. Talk about some of your influences in art, music, fashion and more.

Chaca: Yes, I have been very inspired by Nobuyoshi Araki for the LockDown collection. I have always been fascinated by his photographs and very much had him in mind when I created the LockDown universe. There is especially one photo of him with horn in his forehead, where he has the most fascinating facial expression. The way he ties and pictures the woman is absolutely fascinating!

TB: What's next for the brand and where would you like to see it go?

Chaca: I recently became extremely interested in crystals and stones and I'm studying crystal healing. I started a new brand called CHACA mandala where I create crystal healing jewelery. It is an extremely interesting new field for me and I am very intrigued about how amazing and powerful nature is. I’m very excited about seeing how CHACA mandala will unfold as I also have some other projects in the works within the same brand so stay tuned on chacamandala.cc. In the meantime I'm taking a small pause from the original CHACA brand, however I’m constantly seeking inspiration, wherever I go so you never know when a new adventure for CHACA will evolve.

The Brvtalist would like to thank Chaca for taking the time to contribute these insightful responses. We admire her ever evolving world and her willingness to go in new directions and explore new, spiritual fields. We look forward to her upcoming projects. For more information please visit www.chaca.cc.