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THE BRVTALIST

Mutant Metropolitan Culture

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Sporting Guide: Q&A with Liz Goldwyn

Being Los Angeles natives, we are always struggling with negative stereotypes, misconceptions and a lack of understanding about our great city.  Few people truly know about our fascinating past and even fewer go to the next level and share it with the rest of the world. Enter Sporting Guide: Los Angeles, 1897 - a new work of historical fiction written by acclaimed author, director (Pretty Things) and native Liz Goldwyn.  When we first heard about her new book we immediately identified with the concept. Ms. Goldwyn has created a portal back in time - to an era of the city that was filled with development, expansion, vice and corruption. During the late 1800's Los Angeles was a booming town of settlers and dreamers and the city was essentially up for grabs. This created a beautifully twisted Darwinist world of sordid tales and captivating figures.

Sporting Guide does an incredible job of using historical facts and people and crafting something totally new and unique -  capturing the essence of the time while still very much maintaining a connection to the present.  We love the book's characters and the depiction of vice, corruption and lawlessness had us hooked like a classic pulp novel. We were hungry for more information and reached out to the author. Ms. Goldwyn graciously discussed her book with us and we are excited to share the Q&A below: 

Image courtesy of Regan Arts

The Brvtalist: Sporting Guide takes place in Los Angeles in 1897, not necessarily a year people associate with the city. Being a native myself, I always love to see our amazing past exposed. Talk about the decision to set your book in L.A. at this time and your connection to the place and history. 

Liz Goldwyn: I wanted to set my story in my own hometown, at the dawn of the Industrial Age, well before the movie business, which most people associate with the beginning of Los Angeles - I love being able to show an earlier time of a city I love, at a pivotal moment where so much change and technological advance was upon us. Now a century plus later, in the world of online sex, Tinder, Grinder, sexting and Snapchat, so little has changed of the basic human experience of love, sex, addiction fear and loss. It's fascinating to see the same stories repeat themselves whether in 1897 or 2015. 

Sporting Guide: Los Angeles, 1897. Image courtesy of The Huntington Library. 

TB: I love that you find glamour in the worlds of vice and illegal trade. What do you think draws you to these types of characters and what about them interests you? 

LG: I wouldn't say that the world of prostitution as depicted in Sporting Guide is glamorous. Perhaps on the surface - silks, ostrich feathers, perfumes and stockings may be aesthetically pleasing, but my characters are by and large lonely hustlers, driven by necessity to their trade, one which uses their bodies and places great strain upon their souls. Ultimately of course, I am as drawn to vice as the next gal but digging deeper, I am interested in humanity, in all its' flaws and ugliness and have a desire to shine light on people who have been ignored or forgotten by the history books because of their profession. 

Sporting Guide: Los Angeles, 1897. Image courtesy of The Huntington Library. 

TB: The book is historical fiction which is such a great genre. Many of the characters and locations in your book are based on real people and places. I've been so curious to know how you approached the research and going this far back in Los Angeles history. 

LG: First I had the characters in mind - Mr. X, Jack , Frances and a version of Cora Phillips. Back when I was finishing my first (nonfiction) book, Pretty Things: The Last Generations of American Burlesque Queens, I started simultaneously researching prostitution in a broader scope (courtesans of the Italian Renaissance, bordellos of ancient Rome, harems, etc.) and found again that many of the same themes and situations repeated themselves in every time period. Later I decided to set it in Los Angeles, making the city the seventh character in the story. I love research so that part was second nature to me. It was hard to pull myself away from the facts and data I amassed over a number of years. I had to let the characters start speaking to me at a certain point and let the details become part of the background and the interstitial chapters. 

TB: We love to talk about fashion and style - what are some of your favorite aspects of the fashions from this period? Was this a pivotal time in style for madams, call girls and the like? 

LG: I actually love 19th century men's fashion. Give me a dandy any day! A floppy bow tie on Oscar Wilde or high button shoes. For women, it's all about a bloomer with the slit in the ass. Talk about covered up with a sexy surprise! 

Author Liz Goldwyn. Image courtesy of Regan Arts.  Photograph by Keegan Allen. 

We would like to thank Liz Goldwyn for her great responses and it has been a pleasure for The Brvtalist to discover such a great book and be able to speak with its author. Sporting Guide: Los Angeles, 1897 is available now through Regan Arts and other fine booksellers. We urge you to pick up a copy as you won't be able to put it down. 

-JRS 

Monday 11.09.15
Posted by Jeremy Schwartz
 

New Brvtalism No. 034

An alien phenomenon engulfs the earth. Forces which are not known cannot be interrupted. A new phase begins.

 

The Brvtalist is proud to present a new mix by Los Angeles-based, multi-disciplinary artist Suzy Poling. Operating under the moniker Pod Blotz for her music endeavors, Poling creates some of the most innovative and thought provoking audio experiments we have heard to date. Also working within the mediums of performance art, photography, painting, video and light installations, Poling has been one of our favorite artists for the past few years. Inspired by ecological oddities, space, natural phenomena and more, her work presents an inspired point of view that is both gripping and awe inspiring. Her depiction of the natural and supernatural world, and its relationship to the human experience has compelled us ever since we laid eyes upon her work. 

We have been fortunate enough to see Pod Blotz perform live on a few occasions and each time is a unique experience. This Saturday, November 7th, offers a new opportunity to see her perform and this time it is along side Brvtalist favorite Ariisk, LFA and Future Blondes. Expect a fully immersive environment incorporating video, visuals arts and more.  

We would like to thank Suzy for her amazing contribution to our series. For more information please visit her official website. 

-JRS 

Tracklist: 

Wenn Stiere Richtig Wild Werden - Dr. P. Li Khan
The Need - Chris & Cosey
Body Language - Corporate Park
Absolute Blue - L.F.A. 
El Continent - Novy Svet
Ernste Stunde - Maska Genetik
His Arm Was Her Leg - Throbbing Gristle
Neger Brauchen Keine Elektronik - CHBB
Ephedrin - Ke/Hil
Baby Blue Eyes - SPK
Beyond Temptation - Chris Carter
Citizen - S. English
Mag Unser Sein - Wermut
Peacock/ Catch PH - Portion Control
New Phase - Portion Control
Pod Blotz - Other Side of Night 

 

Friday 11.06.15
Posted by Jeremy Schwartz
Comments: 1
 

United Nude A/W 2015

While Fall has technically been underway for some time, here in Los Angeles we are just getting our first real glimpse of the cloudy weather, crisp air and cool nights. Nothing can celebrate such an occasion more than new shoes. Boots are synonymous with Fall weather and we are constantly looking for interesting and progressive fashion in the footwear arena. Over the past couple of years, Dutch brand United Nude has continued to entice us with their avant-garde designs, groundbreaking collaborations (Iris Van Herpen) and compelling accessories.  UN launched their first shoe,  Möbuis, in 2003 and it has since been recognized as a design classic, nearly cementing the brand's name as a leader in architectural footwear. Each season we are always impressed by the company's offerings - whether it be their use of materials, details or color palate, there are few labels that are re-thinking fashion like United Nude. 

The Autumn/Winter 2015 collection is no exception. Here you will find silver and gold desert boots direct from the future, women's heels that redefine the category and cutting edge accessories that subtly make a very bold statement. We were given access to the stunning images of this great collection and below please find some of our selections: 

Iris Van Herpen x United Nude - Biopiracy Boot Black 

Nova Shoe - Black Chroming 

Thank you to United Nude for giving us access to their great photographs and we are already looking forward to the Spring collection. For more information please visit the brand's official site. 

-JRS

Thursday 11.05.15
Posted by Jeremy Schwartz
Comments: 1
 

Deth Crux - "Pears of Anguish"

The Brvtalist is proud to premiere the new EP by Los Angeles-based five piece Deth Crux. Comprised of members of Ancestors, Lightning Swords of Death, Buried at Sea and more, Deth Crux is truly an amalgamation of its predecessors, creating blackened deathrock that transfuses elements of doom, post-punk and primitive black metal.

"Pears of Anguish" is the band's debut release and offers an exquisite taste of the group's musical genetics. Mixed by famed engineer Sanford Parker (Corrections House), the EP is a successful evolution of genres and we were immediately drawn to the haunting atmospherics and dystopian themes of the tracks. After already performing live with bands such as Ides of Gemini and Abigail Williams, Deth Crux is poised to infiltrate with their unique brand of assailing rhythms and dark glamour. We are pleased to present the EP streaming in full and we look forward to more material from the band. 

-JRS 

 

Tuesday 11.03.15
Posted by Jeremy Schwartz
 

New Brvtalism No. 033

In a haunted realm, you are overcome with fear. Each step is more difficult than the next. Eternal solitude is your new fate.

The Brvtalist is proud to present a new mix by Alessandro Adriani. Initially based in Rome and now headquartered in Berlin, Adriani and his label Mannequin Records are key components of the  the minimal synth revival and the label's output is no less than essential. Having reissued the work of artists such as The Neon Judgment, Dust and The Actor, Mannequin continues to pioneer the sound with new acts like Void Vision and Maoupa Mazzocchetti.  

New Brvtalism No. 033 is a journey through the tapes of the Mannequin archives. Some recently digitized by Adriani and some already received in digital format, expect to hear cassette obscurities, rare tracks and forthcoming Mannequin releases. It's an honor to present such a thought provoking mix and we would like to thank Alessandro for his contribution. If you are in Berlin this Halloween, be sure to attend the Herzschlag and Mannequin Records show featuring In Aeternam Vale and Void Vision live. For more information please visit the label's official site, Facebook and Soundcloud. 

-JRS  

*Cover photograph by Luna Vassarotti 

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Friday 10.30.15
Posted by Jeremy Schwartz
 

Diana Berti - Tragedy Of The Uncommons

The Brvtalist is proud to feature the latest release by experimental ambient project, Diana Berti. Out Halloween on Cuss Fetish, a label with a very impressive discography, Diana Berti is a non categorical project, operating within ambient, noise, experimental and even techno. The artist behind Berti is Violet Poison, a prolific producer who continues to push the boundaries of sonic exploration and refuses to be inhibited by genres or conventional structure. 

Diana Berti - Tragedy Of The Uncommons (Cuss Fetish, 2015) 

Berti's latest work is titled Tragedy Of The Uncommons. A truly conceptual piece of art, Tragedy is a sonic journey that evokes buried emotions and puts listeners into varied psychological states.  The beautifully composed ambient works weave between brightness, darkness and depth, and while there are few vocals, it's clear there is a narrative.  We were fortunate enough to get in touch with the artist and requested any information or background about the release. Here is what we received: 

“The metaphysicals and spirituals of love”.

Diana Berti is the actress Alessandra Acciai in Lamberto Bava’s giallo/horror movie “Il Gioko” (1989). I was fascinated by Berti’s fragility (in the movie she’s a young teacher from Lucca’s countryside (Tuscany), her native village is Borgo a Mozzano, a little village I used to go through by car when I was going to Abetone (Tuscan’s Apennines) with my parents during the summers of the 1980's). There’s a strong link between the landscape, the music, the movie and my childhood. 


Diana Berti lacks self-esteem and she’s mocked and avoided by her fellow countrymen and countrywomen just because she had a nervous breakdown (a reference in the album title, “Tragedy of the Uncommons”) I used dialogue from the movie in some tracks, processed by distortion, reverb and delay, to accentuate the most dramatic moments, to fit well with music and track titles. On the first track there’s a little divagation: the voice is from Dino Campana (an Italian visionary poet from early 1900s) and the poem is named “In un momento…”, I wanted to use it to accentuate the romanticism. I can say the “sonic-plot” behind Berti lies in Paris, a city that means a lot for me (despite having been there just two times). There I have beautiful female friendships that changed my life and my attitude in a splendid way.  


Musically speaking, I am influenced by the works of Suzanne Ciani (“Seven Waves”, 1982), Erik Satie (Gymnopédies, almost), Enno Velthuys (his whole discography), jingles/themes of magic/esoteric shows broadcasted in Tuscany’s TV channels during the 80’s, background music from metaphysical giallo/horror movies from the same decade (as in Dario Argento’s “Phenomena”). 


If you pay attention, the main element of each track is a sequencer. I liked this cyclic nature, these rhythmic melodies in a minimalist interpretation, with subtle and imperceptible variations. Dorian scale, Korg Poly 800, some distortion, reverb, delay and some low-pitched ring modulation to create rhythmic articulation.
 

We are also thrilled to premiere a new track off the record, which is titled "A Fragile Bird Out Of The Nest". This selection captures the essence of the album and is graced with touching melodies and ambiguous vocals. 

Diana Bert - Tragedy Of The Uncommons will be out on cassette on Halloween. For more information please visit Big Cartel, Tumblr, Soundcloud and Discogs. 

-JRS


Wednesday 10.28.15
Posted by Jeremy Schwartz
Comments: 1
 

Matthew Bauer - "Night Demons"

The Brvtalist is pleased to present the upcoming LP by multi-disciplinary artist, Matthew Bauer. Night Demons is the perfect way to kick off this week in particular, and we are always fans of synthwave, dreamwave and related genres. Night Demons is the soundtrack to a slasher film never made and the whole album captures the film arch and essence of the genre perfectly. Bauer is a composer, artist and art director based in Los Angeles. He describes his music as a mixture of horror movies, French Touch, 80's synth pop and death metal. Here are a few words from the artist about the release: 

Is he a man or is he a monster? By day he has a normal life with a normal job - but at night something strange is dwelling inside him. Every morning he awakens to gruesome thoughts seemingly implanted from nowhere. As the banal days drag on he can't help but wonder what happens when he goes to sleep at night. Morbid stories in the news begin to sound far too familiar. As time unravels so does he and the evidence becomes more and more tangled. Who is he really? Listen for yourself and see if you can decide...

We are proud to premiere one of our favorite tracks from the LP, "Cruise Control". Night Demons will be released on Halloween on So French Records. For more information please visit Facebook and Soundcloud. 

-JRS 


Monday 10.26.15
Posted by Jeremy Schwartz
 

Mace. - "Splendore Finanziario"

The Brvtalist is proud to premiere a new track by Italian mutant artist Mace.  Scenario "C" comes off the EP, "Splendore Finanziario", out November on Violet Poison's Veleno Viola label. This is an excellent release that re-interprets the 1980's sound through a paradigm of modern techno, ebm and industrial. All of the tracks have masterfully created a sense of tension and urgency which correlates directly to the theme of the record. The influences are clear while maintaining an original sound that can fit into many different categories. Scenario "C" is the third track on the release and we immediately loved its delicate balance of slowed, driving rhythms and dark, ruinous atmosphere. We asked Mace. to say a few words about the concept of the EP and he graciously provided us with the following (see below): 


As economic complexity is boosting the financial industry, constantly increasing the demand for financial services, human perception of value changes and so do our reactions and our feelings. I asked myself whether nowadays we are witnessing a financialization of emotions. 

Splendore Finanziario wants to reflect on the correlation between human nature and the financial system, considering the intensity and the way in which they're changing and giving a sonourous vision of their future developments. -Mace. 

The EP will be released on pink vinyl with printed sleeve and will be available in November via Ready Made Distribution. 

-JRS 

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Friday 10.23.15
Posted by Jeremy Schwartz
 

Dominatrix - Q&A with Luna Vassarotti

Very few works are capable of capturing the essence of their own time, while continuing to stay relevant long after they're produced. Dominatrix, the latest release by Berlin-based record label Instruments of Discipline ("IOD"), is definitely one of these works. Unearthed from 1980's New York City, Dominatrix is equal parts electro-punk, synthpop, proto-techno and dungeon soundtrack. Stuart Argabright is the man behind Dominatrix. For decades he has been a prolific producer in electronic music and his projects Ike Yard and Black Rain have been huge influences on countless other artists.  The track, "Dominatrix Sleeps Tonight", was a relative hit for Argabright and vocalist Dominque Davalos upon its release in 1984.  However, since the 80's little has been heard from the project until now. When we saw new material was being released by one of our favorite contemporary labels, we were interested in discovering more. We reached out to IOD label head, Luna Vassarotti, and she provided us with some great background and historical context. Please find the Q&A with Luna below.  

The Brvtalist: Dominatrix is an unearthed gem from 1980's New York City. What drew you to the sound and aesthetic of this project? Also, is this unreleased material or a re-issue? 


Luna Vassarotti: I’ve always been a fan of Ike Yard and Stuart Argabright’s more recent project, Black Rain. I was introduced to Stuart through TJ Cowgill from King Dude/Not Just Religious Music by email and I got to meet him in person at the Blackest Ever Black showcase in Berlin last year. We kept in touch and that’s when Stuart suggested un-released Dominatrix material for a release on my label. I fell in love with the tracks on the spot; they had an interesting mix of something timeless but also portrayed the danceable, synth-pop, club sound that I imagine you would hear in NY clubs in the mid 80’s. I still feel like the record’s sound is hard to categorize but that’s the reason I was drawn to it for an IOD release.
 

TB: I love the cover art! I especially like when labels take older material and reinvigorate it with new artwork and design. Talk about the idea for the cover and what you wanted to do with it.


LV: Thank you! Stuart gave me carte blanche for the cover, which I felt very honored by.  The idea first came through talking about how the Dominatrix project was born. The story, which is also explained in the release bio, began when a young Stuart met a beautiful, mysterious older woman in a corvette while hitchhiking in the States. They became friends and spent many nights together at her East Side apartment, getting high and listening to Bowie records. After he noticed the bull whips and manacles hanging in her closet, it became apparent that his friend’s occupation was chaining, whipping, and torturing upscale Manhattan businessmen - who were very willing victims and had the credit card bills to prove it. This project came to life because of his sincere admiration and respect for the professional dominatrix. From there it was evident to me that the Dominatrix had to be the main focus for the cover. I wanted something sexy but at the same time austere - a contrast between hard and soft, pleasure and pain, etc. Milk came to my mind as a playful contrast with the leather whip and gloves. It created a surreal environment which I think embodies the qualities of the music I was drawn to. I was lucky to have my boyfriend help me with the shots as he’s an amazing photographer.
 

TB: Instruments of Discipline is a great boutique label with a varied sound. How do you approach looking for artists to release and is there an underlying theme or concept with what you put out? 


LV: I get quite a few demos by mail and I tend to go for the ones I like regardless of genre. I really started the label when I moved to Berlin and it has been an amazing source of inspiration. I’ve seen so many great shows and I get introduced to so much interesting work here. I have always travelled and I love meeting people so I still get recommendations from all over the place but I just follow and trust my own personal taste. It can be pretty eclectic, but I think this is how one creates something with a sense of their own character. The label is still very young and I don’t really think there is an underlying theme or concept. I believe I started with an ideal in mind but then found I was drawn to releasing things which didn’t exactly fit that mold, so rather than let a concept stop me it has evolved. That said, the label will always tend toward an obscure, darker aesthetic of sound.  I have always been attracted to a playful kind of violence and perhaps the idea of an apocalyptic fairytale. 
 

Lunar Lodge // Mai Mai Mai (Instruments of Discipline, 2014) 

TB: What's next from Instruments of Discipline? 

LV:  I am releasing an album called Black Box Recordings, which is a collaboration between artist Robert Skrzyński (Micromelancolie) and Mike Bjella (GOG). I'm also co-releasing Elisabeth Dixon’s debut EP with Australian label Trait Records and both should be out by the end of the year. A Dominatrix remix album is also in the works. Finally, there is a special surprise release that must remain a secret until next year. I can only say that it’s a re-release of a NY act that was only ever out on tape. It will be a co-released with the great Berlin label [Aufnahme & Wiedergabe].

We would like to thank Luna Vassarotti for her time and great responses. Instruments of Discipline is a label we immediately identified with as it maintains a very good sense of cohesiveness while not adhering to a strict set of rules or boundaries. We also love art and music that is not easily categorized and IOD releases are always interesting and unique. We look forward to hearing more from Luna and her great label. For more information and to purchase Dominatrix please visit Instruments of Discipline.

-JRS
 

Wednesday 10.21.15
Posted by Jeremy Schwartz
 

New Brvtalism No. 032

Vibrance and elation are now blight and decay. The new season is corrupted. You now become a stranger.

The Brvtalist is proud to present a new mix by Seattle-based Bloom Offering.  The post-industrial solo project of multi-disciplinary artist Nicole Carr, Bloom Offering has provided us with some of the most unique and interesting material in recent memory.  When we were first introduced to her latest album, "Death Bed", we knew we had to have it on site.  Since then, Bloom Offering has performed some incredible live shows throughout the Pacific Northwest and continues her work in other artistic mediums. New Brvtalism No. 032 is the perfect seasonal offering - providing us with an incredible array of contemporary artists practicing in techno, noise, industrial, post-punk and more. We would like to thank Nicole for her great contribution. For more information please visit Facebook and Soundcloud. 

-JRS

*Artwork by Nicole Carr 

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Track list:
the beginning - oil thief
drain this lord - schxcxchcxsh
spell - boy harsher
heartbeat - contrepoison
whoever knew - shortwave mystery
kidnap you in the desert - marie davidson
drinking spit - fejhed
wild in blue - suicide
bite their tongues - bloom offering
we can have it all - profligate
voltaggio solitario - alessandro cortini
today you died - haus arafna
some girls yell - sm nurse
The Work Of Art In The Age Of Cultural Overproduction - tim hecker
red sex - vessel
steel worker - big black
losing days - mushy
memories - octo octa
one - fake trade
to hold you - minimal man
neon lights appear (cs version) - lust for youth

Friday 10.16.15
Posted by Jeremy Schwartz
 
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